Search Details

Word: spann (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...other embarrassment involved Carter family members. Several weeks ago, Brother-in-Law Walter G. Spann sold to seven south Georgians, for less than $1,000, half an acre of land near the Carter peanut warehouse in Plains. Carter discovered, much to his dismay, that the investors were trying to turn a quick buck by selling the land as 1-sq.-in. "peanut farms" for $5 each, complete with red-white-and-blue certificates of ownership. One of his sisters, Gloria Carter Spann, bought the first of the several hundred little inches that have already been sold, and her husband...

Author: /time Magazine | Title: DEMOCRATS: Learning to Live with Jimmy | 5/17/1976 | See Source »

...commercialization." Undeterred, Investor J.D. Clements of Americus, Ga., boasted that he and his associates could make as much as $15 million in the event that all the land is bought. The group also has an option on another ten acres next to the Carter warehouse. Moreover, Clements said, Mrs. Spann stands to "get a percentage of everything we sell over the original half acre." It was a disagreeable bit of business for Jimmy, but hardly more than a tiny speck of mud on the wheels of the rolling bandwagon...

Author: /time Magazine | Title: DEMOCRATS: Learning to Live with Jimmy | 5/17/1976 | See Source »

...band depth, and an added soloist. His playing, whether it's out front, or with the ensemble, is fluent and varied throughout. His chording underneath Gregg's vocal on "Southbound" focuses the rhythm section, and keeps time on the twelve bar bridge. His solo shows off his Otis Spann influences, rolling chords and full notes, all done in the middle ranges to avoid the piano's occasionally fragile sound...

Author: By Freddy Boyd, | Title: Song of the South | 8/21/1973 | See Source »

...thank you note from the Allman Brothers. Their version is that Chicago style, thick organ chords from Gregg, and a truly painful vocal. His solo is straight-forward, with full chords from Dickie as support. Leavell's piano is taken directly from any number of Otis Spann sides, powerful, full-bodied, an emphasis on percussive chords. Dickie's guitar playing is steeped in blues; his sense of the idiom was stronger than Duane's. Here his tone and attack are faithful, and he constructs a solo that intensifies, peaking with a slashing set of lines before moving into a final...

Author: By Freddy Boyd, | Title: Song of the South | 8/21/1973 | See Source »

Some of the best--if not most orthodox--blues music to emerge last year came from younger artists. In addition to the deaths of Otis Spann and Magic Sam, the world suffered the losses of King Curtis and Duane "Skydog" Allman last year. Allman was a guitarist of both incredible technical virtuosity and unerring taste. As a studio musician for Atlantic Records, he played on countless albums, ranging from those of Aretha Franklin to Boz Scaggs, Herbie Mann to John Hammond. He is best known, however, for his work in the Allman Brothers Band. After two good albums, a third...

Author: By Charlie Allen, | Title: The Crimson Supplement | 1/19/1972 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | Next