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...inflated rhetoric and sense of entitlement employed in its defense and justification. Yesterday, on a lopsided 31-1 vote, the Undergraduate Council (UC) declared that students enjoy a “right to self-determination in deciding with whom they will live in University housing.” Spare me.From whence does this right emanate? Why has it not been discerned until now? Does this right not necessitate the reversal of randomization, that decade-old procedure by which the College rejected wealthy students’ “right” to live with one another in Eliot House...

Author: By Travis R. Kavulla, CRIMSON STAFF WRITER | Title: A Fanciful Right | 3/21/2006 | See Source »

RICHARD HAASS After three years, my answer would be no, although any judgment at this point is necessarily an interim one. The war has absorbed a tremendous amount of U.S. military capacity, the result being that the U.S. has far less spare or available capacity to use in the active sense or to exploit in the diplomatic sense. It has weakened our position against both North Korea and Iran. It has exacerbated U.S. fiscal problems. The war has also contributed to the world's alienation from the U.S. and made it more difficult to galvanize international support for U.S. policy...

Author: /time Magazine | Title: Was the War Worth It? | 3/20/2006 | See Source »

...practically, the dialogues often drag on a bit long because of the overacting, and it ends up making the opera a great deal longer than it needs to be. Secondly, the cast invokes very little audience compassion for the characters, most of whom deserve at least a little. The spare set and lack of an overall visual theme hinders the production a little bit. There is a noticeable lack of atmosphere in most of the sets, but the colorful lighting and effective use of the rickety, dense scaffolding that surrounds the oddly placed stage usually make up for it. However...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Modern Opera Seems Distant | 3/13/2006 | See Source »

...tempered pace; the songs take their time, but the process is by no means leisurely. Instead, tension builds as the sound expands, often reaching pitches of dizzying intensity. “Auto Rock,” the album’s opener, constructs a steady crescendo around a spare piano melody, adding fuzzy distortion and a heavy, insistent beat. The result may be melodramatic, but it’s also nothing less than beautiful...

Author: By Catherine L. Tung, CONTRIBUTING WRITER | Title: Mogwai | 3/9/2006 | See Source »

Vocals, as always, are spare in this album. When Mogwai do decide to incorporate their voices into a song, the vocals blend right into the texture of the instrumental fabric, becoming another part of the ambience. Even as the individual elements of the music may merge together, however, the structure of the songs themselves is never indistinct. The rhythm and the drive are always in the forefront, pushing the song forward, holding us in suspense for the next big crest of sound...

Author: By Catherine L. Tung, CONTRIBUTING WRITER | Title: Mogwai | 3/9/2006 | See Source »

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