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...better shows in the central pavilion also take up the theme of technology, science and art. "The Representation of Space" has some painstaking reconstructions of spatial illusion in Renaissance and baroque art; its best moment (which will be the envy of all red-blooded interior decorators) is a full-size wooden replica of Borromini's false-perspective colonnade, made in the 17th century for the Palazzo Spada in Rome. The second exhibition, "Wunderkammer," is a delight. Wunderkammern--literally, chambers of astonishment--were an embellishment of European collections from the 16th century onward. They were anthologies of real and artificial oddities...

Author: /time Magazine | Title: Art: Egos, Kitsch and the Real Thing | 7/14/1986 | See Source »

Nobody had ever pushed the spatial possibilities of wood carving so far, something Stoss did by defying the apparent limits of the block. He combined two sculptural modes: the relatively straightforward, subtly continuous modeling of the human face and figure and a wild abstract convolution and hollowing of draperies, a sense of the pure plane jutting and receding in space that surrounds his bodies with an ecstatic corona of motion. His linden- wood carving of The Archangel Raphael and the Young Tobias, 1516, is a tour de ! force of this kind. Though every crinkle of the figures' drapery looks natural...

Author: /time Magazine | Title: Art: Out of Gothic, into the Future | 5/26/1986 | See Source »

...than 50 computers, a pulse of light is whipped around a master oscillator until all of its wavelengths are identical and in phase. The pulse of pure laser light is then split into ten parts, each of which races down its own 460-ft.-long tube equipped with amplifiers, spatial filters and isolators. As it emerges, each beam is focused to about the width of three human hairs, yet is a thousand trillion times brighter than the sunlight that falls on the earth. Together they deliver 100 trillion watts of power, about 200 times the present electricity-generating capacity...

Author: /time Magazine | Title: Science: High Hopes for a Super Nova | 4/15/1985 | See Source »

...Still Spatial Problems...

Author: By James D. Solomon, | Title: Belfer the Center | 10/13/1984 | See Source »

...result, in her better works, is very far from mere curiosity. Graves has an acute sense of spatial construction and knows exactly when to rein in the intrinsic oddity of her metal flora. So one does not get distracted wondering what this or that thing was: what counts is what it now is, its role in a larger system of metaphors that circles back on nature. One would need to be a bronze gourd oneself not to be delighted by this artist's ebullience and delicacy of feeling...

Author: /time Magazine | Title: Art: Intensifications of Nature | 4/2/1984 | See Source »

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