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...Rites of Spring" sequence for Fantasia. After the war he supervised production of the UPA greats, including Tell-tale Heart and In Henry's Backyard, as well as McGoo and McBoing-boing. And he has pioneered the development of cell "animage" techniques for graphically rendering human motion and spatial depth...

Author: By Kathie Amatniek, | Title: John Hubley | 6/1/1964 | See Source »

...MEIGS-Nordness, 831 Madison Ave. at 69th. Meigs' paintings make an alluring invitation to Greece where he has lived the past two years. He often plays sea green against sky blue, counterpoints the delicate sheen of acrylic polymer with the coarseness of his mixed me dia to create spatial ambiguities in Aegean landscapes and seascapes. Through...

Author: /time Magazine | Title: Art: Art in New York: may 8, 1964 | 5/8/1964 | See Source »

...oils, done between 1905 and 1908, show keen insights and rhythmic vitality in a self-assured style, but offer little indication of the plastic purist he was to become (through May 23). For that, see "Mondrian, De Stijl and Their Impact," at Marlborough-Gerson, 41 East 57th, where his spatial austerity and its potential for beauty is fully realized in his own and in the works of 22 followers. Through...

Author: /time Magazine | Title: Art: Art in New York: may 8, 1964 | 5/8/1964 | See Source »

...picture and the viewer. Mondrian's late paintings can be seen as the visible imprint of an invisible pattern surrounding the viewer. Even the walls of his stark studio were hung with movable panels that he rearranged to suit his desire, in effect making the studio a spatial work of art. Van der Leek used white in his work not as background but as space that separated his flecks of color, like atoms locked together in the Tinker Toy of their own energy...

Author: /time Magazine | Title: Art: Back in Stijl | 5/8/1964 | See Source »

...lolas, 15 East 55th. Chile-born, Paris-based Matta was a bright young acolyte in surrealism's heyday, but that label is too limiting for his talents. The variety of this excellent show proves that he is not to be confined by it. There are huge new spatial fireworks, exploding with the motion of the machine age, smaller works on the same theme, drawings and lithographs. But most interesting is a series of pastels that Matta calls Cabezas (portraits): four black, brutish simulations of heads that are magnificently ugly. Through...

Author: /time Magazine | Title: Art: UPTOWN: Apr. 24, 1964 | 4/24/1964 | See Source »

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