Word: spatialism
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...financial constraints, these extras brought by HUDS come as favorable additions to those dining halls that desperately need renovations. But these investments are not the ultimate solution. It is clear that the Houses with more recently renovated dining halls are most coveted—substantial kitchen improvements and considerable spatial reorganization improve the taste of dining hall food and the ambiance of the dining area. As nice as rearrangements and fun food appliances are, the renovation of the three dilapidated and disfavored dining halls should remain HUDS’ primary goal...
...inclined ramp just to walk down the other side). The University has done a commendable job in adding the Sert Café and revitalizing the Sert Gallery, giving people a reason to use the ramp more often. Regardless, the ramp provides an impressive experience; a sequence of spatial events defines what Le Corbusier called the promenade architecturale. Try walking up the ramp on a bright day; the dark underside of the building at the top of the ramp provides a beautiful frame for the sunlit buildings that lay beyond...
...with a hodgepodge of real-estate holdings and stores. There was little consistency of design--and large corporations absolutely abhor inconsistency. Gucci and LVMH needed to establish firmly in the consumer's eye and mind exactly what each of their brands stood for. "Consolidation intensified the development of a spatial brand identity," says Michael Gabellini of Gabellini Associates, who created Jil Sander's light, white and limestone look...
LATE CHILDHOOD 5-10 yrs. Dramatic growth spurts in the temporal and parietal lobes, brain regions crucial to language and understanding of spatial relations, make this a prime time for learning new languages and music...
...rebellion, the stabs were really just a logical outgrowth of his quest to blur the lines between sculpture and painting, and open up new dimensions for each. The principal objective was to cleverly occupy, divide and utilize space rather than to represent the world. In a technique he called "Spatial Concept," Fontana blended small, round holes with a variety of substances and glued objects - including thick paint, glitter, colored stones and sand - to draw the viewer's eyes in a controlled swirl of fanciful symmetry while almost surreptitiously adding third and fourth dimensions. His large, egg-shaped works from...