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Word: speak (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...solve much of the problem of "who to deal with"--and also the problem of "how to choose." But it does not solve the problem of "where to get the money." Nor does it speak directly, in its limited form, to a number of central issues of community participation, control, initiative and democracy...

Author: By Gar Alperovitz, | Title: An Unconventional Approach to Boston's Problems | 4/22/1968 | See Source »

...John V. Lindsay, Mayor of New York City, will speak on "The Urban Crisis and the Kerner Commission Report" at noon today in Sanders Theatre...

Author: NO WRITER ATTRIBUTED | Title: Lindsay to Speak | 4/20/1968 | See Source »

...Feet of String. Bare midriffs abound. Adele Simpson, who likes to hitch together the top and bottom of her bare-midriff dresses with gold chains, says, "Women want their bodies to speak after they have gone in for the exercise, the massage, the diet. They also want to show off another thing they have been working all day on-their tan." For James Galanos, the bare midriff means skimpy bra tops worn with long evening skirts. Bare midriffs are also fine by Mollie Parnis, who links together the bra tops with silk knots or a big ring. Donald Brooks adds...

Author: /time Magazine | Title: Fashion: Nudity Plus | 4/19/1968 | See Source »

Broadway Producer Hillard Elkins was strolling beside Manhattan's Central Park last week when he got an itch to speak with the man directing the revival of his musical Golden Boy, in rehearsal at the George Abbott Theater some 20 blocks away. Elkins sat down on the nearest bench, opened his briefcase and picked up the telephone. "Hello, mobile. Come in, please. This is JL 5-5035," he began, and in moments the director was on the other end of the line...

Author: /time Magazine | Title: The Telephone: Hello, Mobile | 4/19/1968 | See Source »

Play does have a sound-dramatic structure, but it somehow fails to involve the audience in the problem it seeks to pose. Hart doesn't really speak his mind until past the half-way point. By then it's too late to build suspense, and the action gallops along at a choppy, unconvincing pace. Much of the dialogue aims to display the character's materialism with irrelevant wisecracks, most of which are not too amusing and some of which are completely unessential. If Hart cut down the jokes and added to the credibility and development of his central issue, Play...

Author: By Frank Rich, | Title: One-Acters | 4/19/1968 | See Source »

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