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...France, identity is not the sensitive subject that it is in the United States. The delicate balancing of competing identities that occupies so many Americans does not take place here; one does not speak of being African- or Asian-French, for example. If one is French, one is just that, end of story. Unlike at Harvard, where recognizing the diversity of our peers is strictly de rigeur, the French demand that their fellows keep their origins to themselves. As one legislator rhetorically asked on the floor of the French senate in 2004, “must we always call attention...

Author: By Adam Goldenberg | Title: Intercultural and Race Relations | 8/10/2007 | See Source »

...face of life's trials-and I've discovered this in an even greater way since Ruth's death. It would be hard for me to single out any one passage of Scripture, I suppose, but I find myself returning repeatedly to some of the familiar verses that speak of eternity and our hope of Heaven-passages like Psalm 23, or the first few verses of Revelation 21. My mind often turns also to Jesus' words in John 14: "Do not let your hearts be troubled. Trust in God; trust also in me. In my Father's house are many...

Author: /time Magazine | Title: Billy Graham on Life Without Ruth | 8/8/2007 | See Source »

...interesting why? Why watch this, especially for the 2hr.23mins. L'Avventura takes to unravel? The movie is the story of... well, that was the problem. The story, so to speak, focused on the trip a few wealthy layabouts take to a rocky island near Sicily. One of the men, Sandro (Gabrielle Ferzetti), has come with his mistress Anna (Lea Massari) and Anna's friend Claudia (Vitti). Anna has been quarreling with her beau, and 25 mins. into the film, she vanishes. Sandro and Claudia look and look and look and...don't find her. The two searchers get sidetracked into...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...Most actors did an Antonioni film as a solemn duty, not for the laughs. A sworn enemy of bombast, visual or behavioral, he made his performers reveal more with less. This was particularly tough on his compatriots. Italian actors, and Italians in general, speak with their bodies; each conversation is a performance using the most lavish and vigorous hand gestures. Antonioni stripped them of these flourishes - he either refined the natural tendencies of these actors or he straitjacketed them...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...Vitti red hair). It was all in aid of showing the already polluted city through the eyes of the schizophrenic wife and mother played by Vitti. "I have to put into the landscape the colors needed," Antonioni said, "to express a certain state of mind...to violate, so to speak, this reality, to adapt it to the purposes of my story...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

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