Word: speakes
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...years of the 20th century through New Faces of 1952. There are more than 30 tunes, some more familiar than others, and two comedy sketches - the first (the 1923 "The Yellow Peril") a one-gag item in which goldenrod flowers on the stage make all the actors sneezes they speak, the other (the 1949 "Gorilla Girl") about a jungle movie with very dumb starlet and a very smart gorilla. Both sketches cue you that, for just this once, Encores! is out to have a roaring good time...
...What role should a Muslim woman play in reducing tensions between the Muslim world and the West? -Asghar Mayo in Lahore, Pakistan Muslim women must stand up and speak out about who we are, what we believe and where we are going. I think we need to know that our counterparts in the west are also willing to listen and reciprocate...
...miss the mark is perennial top seed DeLillo, above right, whose Falling Man is about a lawyer who escapes the Twin Towers, wanders uptown in a daze and moves in with his estranged wife. DeLillo's tone is crushingly earnest--has he made a joke since 1985? His characters speak in leaden faux profundities, and they're so sunk in post-traumatic ennui you can barely tell them apart. One day a great novel will rise from the ruins of the Twin Towers, but it's not Falling...
...crowd, which included a disproportionate number of mothers who had brought their daughters, was very much at ease with the Senator as she managed to convey her usual A-student policy virtuosity in an informal, accessible way. "Wouldn't it be great to have a President who can speak for an hour without notes?" former Iowa Governor Tom Vilsack, a presidential candidate turned Clinton supporter, told the next crowd, assembled in Red Oak despite biblical rains. It was a classic reaction to a Clinton performance. To be sure, other candidates can go noteless for an hour or more--some, like...
...indigenous children from their families, and to Australian Prime Minister John Howard's refusal to apologize for the actions of previous governments. In a novel of such resonance and restraint, this epilogue strikes the sole forced note. For Australian readers, at least, the title carries enough emotional weight to speak volumes, and Jones is too subtle and cerebral a writer to suggest a polemical reading of her text. Instead, Sorry is most eloquent expressing a more singular kind of sorrow, while suggesting why the simplest utterances are often the hardest...