Word: speaking
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Dates: during 1930-1939
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...speak of the unusual lady who had the honor to play the French horn with the Budapest string ensemble, as "snub-nosed." (I like her picture, myself.) And you deal with the instrument. The "horn" (the forest horn as the Germans call it), famed for the nobility of its tone, used chiefly to give an inner core of golden harmony to the music of the great orchestra, an instrument sonorous and yet almost incomparably romantic; for you it "beeps and purls." But that is not all. You go on to the "saliva" with which it becomes filled. Permit me, mister...
...will then join in an open meeting with the Citizens' Union of Massachusetts at 8 o'clock when Thomas Eliot, New England Director, Wage and Hour Administration, and Orville Poland, Chairman of the Massachusetts Civil Liberties Committee, will speak on the subject: "War, the Dies Committee, and Civil Liberties...
...that the music of Bach and Mozart is "pluck-a-pluck" when played on the instruments for which it was written is as pointless as to say that of Liszt is "crash-a-crash." The whole article betrays your lack of acquaintance with harpsichord music: otherwise you would not speak of its performance as a novelty. The best boner is "Most early harpsichord music is now played on modern instruments like the piano"; to, that one should add: with indefensible violence to its texture and style...
...took 48 hours for the Germans to get puppet Protectorate President Dr. Emil Hacha on the air with a broadcast suited to Nazi tastes. Apparently he at first refused to speak, and this silence was explained away in Berlin by the Fiihrer's own newspaper, which said that Dr. Hacha was seriously ill and was not expected to leave his bed for a long time. A few hours later President Hacha, seemingly in good health, appeared at Castle Lana and gloomily broadcast: "Any further sacrifice for the Czech Nation serves no purpose. . . . Face the cold realities. . . . Senseless opposition...
Even doctors, some of whom have been "terrible sufferers," find it hard to speak of gout with a straight face. Some, like their patients, pride themselves on their virile infirmity. Osier quotes approvingly Germany's Willibald Pirkheimer (translated into English in 1617) : "I take no pleasure," he wrote, "in those hard, rough, rusticke, agresticke kind of people who are never at rest, but ... are moyling and toyling, do seldom or never give themselves to pleasure, do endure hunger, which are content with a slender diet...