Word: speaking
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Dates: during 1960-1969
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...first movement once more. This complexity of image and response reappears in every succeeding symphony: the Resurrection, for example, is a vast poem of death, vision of refracted horrors, moments of vernal consolation, primeval light, and a personal belief in redemption. Each symphony is an agon, so to speak, involving malaise and piety, desolation and transfiguration, the spectral and the immaculate, almost always ending in the reassertion of the nobility of the human spirit and the inextinguishable beauty of nature. Mahler felt everything and felt in with an intensity forever incomprehensible to people like ourselves who stalk through a stupefyingly...
...bitterness assaults a superfine intelligence too long, it will cause either impenetrable cynicism or childlike idealism too devout for despair. And it is at this point that we must speak of Mahler's religion, bearing in mind his statement tat "there is always the danger of an exuberance of words in such infinitely delicate and unrational matters." His religion seems to have issued from a vivifying fusion of the Christian mystery of redemption and German transcendentalism. Mahler must have felt like D.H. Lawrence, who said, "Give me mystery and let the world live again for me." His religion...
...enough to eat and that the food was always "fresh from the stove." He said, probably facetiously, that he would try to get the recipes for some of the dishes before his release. In all conversations with prisoners of war, it obviously must be remembered that P.O.W.s cannot speak freely at all times...
...terms of the 1960s; it is a reversion to the pre-1965 approach of attempting to avoid involvement in civil strife. The Johnson Administration justified large-scale intervention in Viet Nam on the basis of North Viet Nam's actions. No one in the White House then dared speak of the conflict as a civil war. Presumably, Nixon would henceforth be considerably more reluctant to reach a decision that would require sending in U.S. troops. Between what Lyndon Johnson did in 1965 and what Nixon would have done then by applying his present criteria, a White House expert explains...
...scene was Houston's exclusive Old Capitol Club, where a waiter informed Criminal Lawyer Percy Foreman, 67, that a visitor wished to speak with him in the hall. There Foreman was confronted by Melvin Powers, the hulking drifter whom he had successfully defended along with Candy Mossier, 49, in the celebrated 1964 murder of Multimillionaire Jacques Mossier. Powers, 27, was incensed over Foreman's suit to obtain legal fees involving several hundred thousand dollars from Powers' Aunt Candy. "Look you bastard, I'm mean," raged Powers, gesturing threateningly. "I'm tough too," replied the husky...