Word: speaking
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Dates: during 2000-2009
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...Vagabond”), tells the story of a young wandering girl, Mona (Sandrine Bonnaire), as she marches toward her inevitable death. In preparation for the film, Varda became a vagabond herself, wandering and meeting people who would not only inspire characters in the film, but would also play themselves, speaking lines written by Varda. This is an unusual method for filmmakers—so unusual that it merited Varda’s development of her own term—‘cinécriture’ (film writing, or film essay)—to describe...
Senate Banking Committee chairman Chris Dodd suggested one of the more severe solutions: that the government tax 100% of the bonuses, thereby recouping the losses. It may have been overcompensation, so to speak, on Dodd's part. The National Republican Senatorial Committee was quick to point out that Dodd had amended the stimulus plan to make a specific "exception for contractually obligated bonuses agreed on before Feb. 11, 2009." That exception gives cover to the AIG bonuses - though it should be noted, as Dodd's aides do, that the Senator did not know about the AIG bonuses at the time...
...sight. The artifacts from one life—a bed, a photograph, a shot of the salt mines—encroach on the account of another. At times, sounds from the big screen break into the widow’s monologue. So while the widows speak of empty houses and long days spent in solitude, they are never alone in Varda’s exhibition. They belong to a collective built from misfortune...
Most of the exorcisms that Father Gary witnesses are fairly low-key. What happens during the dramatic ones? If an exorcist sees 100 people, there are only going to be 2 or 3 that are dramatic. And I would characterize those as being when the person actually speaks to the exorcist. Quite often they'll be burping or belching or coughing or yawning. There's moaning and screaming too. But in the stronger cases, in almost every instance, you'll have the voice. The person will speak in a demonic voice, and they'll say things like, "This person belongs...
...Camino have gone too far. Writing in El País, bullfighting critic Antonio Lorca said, "The decision of these two maestros isn't very elegant. This idea that 'the award was correct when they gave it to me, but not so much now' doesn't speak well of their sense of collegiality." Carlos Javier Trejo, a bullfighting critic based in Seville, agrees. "I think José Tomás had a little flare-up of vanity, like a Hollywood actor who returns an Oscar because he doesn't like the person who wins it the year after...