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During the question and answer session that followed the screening, Kechiche seemed to continuously avoid an analytical approach to the film. “I did not explicitly set out to give the film a sociological label,” he said. “I primarily wanted to tell...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Kechiche Shows Harvard Film Archive Some 'Love' | 3/30/2010 | See Source »

AF: Well, I think from a number of perspectives, it’s not as easy to distinguish what is me and not me. We have our names and specific biographies, but even our names are amalgams of other names like our parents’. And from a psychological and...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

On the other hand, anyone really looking at institutional critique and the practice associated with it could see that it was never about escaping institutions. Like Marcel Duchamp’s “Urinal”—an object only takes on a specific meaning as an...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

Currently, no specific coursework on graphic design exists in seemingly relevant departments like Computer Science and Visual and Environmental Studies (VES). Interested students receive academic support only through peripherally related courses. “We don’t offer any graphic design courses, but if a student wants to...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

For the production of The Flies, the show’s director envisioned a Western-themed retelling of the original play by Jean-Paul Sartre, so the Harvard production of the show featured a specific aesthetic invoking the American West. Correspondingly, Ding’s poster for the show incorporated...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

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