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...Forgotten has the makings of an intelligent paranoid thriller, but I found nothing spectacular or terrifying in it, only government agents scrambling to hide a conspiracy and scrambled plot lines trying to hide a lack of creativity, despite the guarantee a seemingly competent cast should offer. Julianne Moore’s Telly Paretta is a likeable everywoman. Her therapist (Gary Sinise), is appropriately authoritarian, while her husband (ER’s Anthony Edwards) appears to be phoning in his support from another planet. They are too hampered by the product they’ve been asked to deliver to hope...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 10/15/2004 | See Source »

Because of the range of performances and number of acts, no one troupe could hold full responsibility for the night’s spectacular performance. But this year’s Raunak couldn’t have been such a success without Monica Soni, who not only took charge of organizing the show, but also choreographed and performed in her own number, a jazz-modern piece spotlighting the ballet techniques of Rebecca S. Miller...

Author: By Emer C.M. Vaughn, CONTRIBUTING WRITER | Title: Raunak Offers Dance, Diversity | 10/15/2004 | See Source »

...spectacular example of this is “The Creation of the World,” which Marceau meticulously depicts from the very first bacteria to the genesis of Adam and Eve, using nothing more than his body and the space around him, in about 10 minutes...

Author: By Marin J.D. Orlosky, CRIMSON STAFF WRITER | Title: Making the Invisible Visible | 10/8/2004 | See Source »

Last summer I visited one of Frank Gehry’s recent buildings, the Disney Concert Hall, in Los Angeles. Gehry is a superlative example of an architect who has stopped worrying about meaning. His buildings are sculptural and spectacular, meant to be experienced rather than interpreted. Built in the style that has by now made Gehry famous, the Disney Hall resembles a huge waterfall of dramatically arching and soaring stainless steel forms, each cascading over and into and through the others. I would be the first to admit that the building was both spectacular and titillating; walking around...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: Some Problems with Meaning and Criticism | 10/8/2004 | See Source »

...jackass travels," he muses, "it won't come back a horse." Batou encounters lots of fantastic creatures (like the crustaceous Crab Man), elegant vistas (pagoda skyscrapers) and bizarre machines (a plane that resembles both a dragon and Groucho Marx, with a cigar as his nose). It's smart, spectacular, luscious picturizing...

Author: /time Magazine | Title: It's Digital. Can You Dig It? | 10/4/2004 | See Source »

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