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...found water," said Anthony Colaprete, the principal investigator for NASA's Lunar Crater Observation and Sensing Satellite (LCROSS), a mission that culminated in a spectacular crash on the surface of the moon about a month ago. (See a guide to the 40th anniversary of the moon landing...

Author: /time Magazine | Title: Now It's Official: There Is Water on the Moon | 11/13/2009 | See Source »

Offensively, the Crimson has 28 goals this season, averaging 1.75 per game on 15.2 shots. Penn, meanwhile, has managed only 22 goals—1.38 per game on an average of 12.8 shots. On the other side of the ball, Harvard’s defense has been spectacular this season, allowing only 13 goals (.81 per game), while the Quakers have almost doubled that number with 25 goals allowed (1.56 per game...

Author: By Eric L. Michel, CRIMSON STAFF WRITER | Title: Crimson Plays for Payback, Ivy Title | 11/13/2009 | See Source »

...abundance of cameras used to cover a single game. Instead of a mere six cameras at a football game, or one in front of and behind home plate, there are now hundreds of cameras around stadiums and arenas, allowing TV providers to show many different angles an important or spectacular play...

Author: By Marcel E. Moran | Title: Strikes Mounting on Umpires | 11/12/2009 | See Source »

Though many films in the past decade have explored the depths afforded by recent innovations in 3-D technology, none look quite so spectacular as “A Christmas Carol.” From the snowflakes which seem to hover just inches from the viewer’s face to the eerily protruding nose of the unscrupulous Scrooge (Jim Carrey), Zemeckis’ effects add depth to the film without seeming gimmicky. Certain scenes in particular employ 3-D to unique and immersive effect—most notably Scrooge’s many modes of transportation. One of these...

Author: By Bram A. Strochlic, CRIMSON STAFF WRITER | Title: A Christmas Carol | 11/6/2009 | See Source »

...filled this time next week, choreographer David F. “Ricky” Kuperman ’11 calls out instructions as the dancers mark individual movements and walk through formations. When Kuperman requests a full-out execution of a few eight-counts, the dancers unveil a spectacular range of movement, collectively brushing through a front “attitude” position into a stag leap and “chasse” effortlessly into two diagonal lines...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

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