Word: spectatorship
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...show; to deem anything the “best” in this disappointingly mediocre production would be to issue a gross overstatement. Though it offers a wonderful musical experience, “Best of Both Worlds” ultimately demonstrates the potential pitfalls of an emphasis on active spectatorship...
This failed attempt at active spectatorship has deeper ramifications than the superfluous narration. In the most magical and dramatic moment of the musical—Serena’s statue coming to life—the blocking distracts from the beauty of the restoration. The actors peer towards the audience at the “statue,” only to have Serena actually enter from behind the set’s giant garage door in a burst of fog, light, and gospel song. As the resurrection is the emotional climax of the show, this execution is both disappointing...
...Best of Both Worlds” seems to inadvertently illustrate that there is a limit to active spectatorship in the theater. There is nothing wrong with the audience simply sitting in their seats and watching a show in front of them, especially when it best serves the material. Ultimately, the gospel music that cures the soul and Ezekiel’s family fails to cure this production’s many woes. Music’s healing power has reached its limit...
...culture of spectatorship grew up around the conflict, according to Palmer, who spoke at the 1,000-strong anti-war protest in the Yard March...
...have made it possible for a nation to wage war with relatively small military forces,” Palmer says. “One implication of moving toward higher and higher tech warfare is the creation of a situation where war is for many citizens mainly a matter of spectatorship, even of entertainment...