Word: spectors
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...sounds heard - a drum slamming, "Bum. Ba-bum. Pow!" with the clock of castanets on the fourth beat - tell the audience that the music aims directly at pastiche, for those are the first four notes of "Be My Baby," the Jeff Barry-Ellie Greenwich song from which producer Phil Spector and arranger Jack Nitzsche created a sonic masterpiece for the Ronettes. (Martin Scorsese recognized the power of this opening: he used it at the start of "Mean Streets.") A few bars later, the first syllables uttered in the show - a cutting "Wuh. Uh. Oh." for the song "Good Morning Baltimore...
...quote, old favorites. "The Nicest Kids in Town" echoes both "The Peppermint Twist" and "Mony Mony," cutely tweaked to "Money money!" The sextet "Mama I'm a Big Girl Now" is the Crystals' "He's Sure the Boy I Love" (the saxophones primmer than Nino Tempo's on the Spector singles) with a twist of "Twist and Shout." Tracy's ballad "I Can Hear the Bells" summons the ghosts of white-girl singers and the ultimate white-girl tribute song, Neil Sedaka's "Calendar Girl"; instead of the months counted off, we hear "Round One... Round Two..." The bluesy...
...early-60s musical signatures to filch from. So in the last two songs he steals from 70s retro-rock. "Cooties" is nothing but Steve Martin's "King Tut." The finale, which brings the entire female company together to sing "You Can't Stop the Beat," begins as yet another Spector classic, "River Deep Mountain High," the raids pretty much the entire oeuvre of Jim Steinman, of Meat Loaf notoriety...
...girl rock group (a nice novelty idea) on the rise in the L.A. music world - made "BVD" the first major movie drenched in sex, drugs and rock 'n roll. It parodies Susann, Hollywood big-shots, sex-star hangers-on (Edy as Ashley St. Ives) and record producer Phil Spector (a weird man ultimately outed as a homicidal woman). At the end, the movie slices its own jugular and spurts crimson violence before doubling over in a mock-inspirational coda that somehow blends "Bride and Groom" with the Jerry Lewis Telethon...
...last 70 years of Harvard history, the book will certainly appeal to the core of Harvard insider-elites, institutional historians and over-eager student journalists who hungrily devour every line of copy or print that references fair Harvard. The authors are perfect for this audience; he is Spector Professor of History at Brandeis, while she is a Harvard insider in the flesh, a former associate dean for academic affairs at Harvards Faculty of Arts and Sciences...