Word: spectors
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...album's anchor, "Until the Night," encompasses all the shortcomings of this latest Billy Joel effort. The cut begins with a lackadaisical vocal set to a Phil Spector beat that suits Johnny Mathis more than Billy Joel. Though the song builds to a contrasting bridge and powerful crescendo, Joel is lost in the music, overshadowed by the mystery vocalist who solos the first two verses and dominates the choruses. The album lists no vocal credit. The listener leaves the song wondering where Billy Joel is hidden...
...innovative passages and solid instrumental work, is a puzzling piece of music. It has almost everything, from a harmless love song called "August Day," written by Sara Allen (the subject of "Sara Smile" and a constant Hall and Oates companion and contributor), to a poor attempt at a Phil Spector rocker, called "The Last Time." There's a great orchestral work in "I Don't Wanna Lose You," a fine tune which may do well as a pop single; but the range and uneveness of the album as a whole make it almost impossible to label the work...
...them. As demonstrated by his current hit single, a graceful ballad called Just the Way You Are, Joel harks back to the luxuriant strains of superb song craftsmen like Harold Arlen as much as he follows in the tradition of masters of rock-'n'-roll delirium like Phil Spector. His songs have also been covered by belters like Streisand and jazz stylists like Bobby Scott, and seem easily to snuggle into whatever groove comes...
...slow, moving ballads. He already hinted at that hidden diversity on the Turnstiles album with a bluesy tune called "New York State of Mind" and upbeat rockers such as "All You Wanna Do Is Dance" and "Say Goodbye to Hollywood." The last song overflowed with the famous heavy Phil Spector drumbeat that pervaded the rock...
Directed by JERRY JAMESON Screenplay by MICHAEL SCHEFF and DAVID SPECTOR...