Word: spectualar
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Dates: during 1985-1985
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BOTH FREIDKIN'S picture and Penn's boast elaborate set-piece car chases. Friedkin's French Connection- style wrong-way run on the L.A. freeways may be more spectualar, but Arthur Penn's chase scene, dismissed by most critics, is exciting in a precise, stripped-down way. It gets an equal measure of audience applause in the theatres, presumably because of rooting interest in the father-son duo at the heart of the film...
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