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Dates: during 1980-1989
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Breaking the magic spell...
...minute piece seemed to eclipse in about 15 seconds as the whole audience fell under the hushed, dream-like sequence of events. Although the entire cast deserved mention. Elaine Kudo should be singled out for her superlative technique and presence. Whenever she danced she seemed to cast a spell with her beautiful interpretation of the combinations...
...recommendations took five months of debate to frame and 132 pages to spell out. But the essence of the Kissinger commission's prescription for U.S. policy toward war-torn Central America could be put in a single word: more. More recognition, to begin with, that the U.S. has a vital interest in combatting Marxist revolution in the isthmus, and the misery and oppression that feed such revolution. Thus much more aid of every kind: more guns, ammunition, helicopters for friendly governments, but also more money to buy food, build roads and schools, train nurses and dentists. More pressure...
...second law of thermodynamics, never gives you anything for nothing. Now some engineers in Boston have come close to defying that unbreakable rule. They have produced a building that heats itself without a furnace or conventional fuel and remains warm even during such blustery periods as the recent cold spell, when Boston temperatures plunged to 0°F. The building performs this scientific magic by a cunning engineering stratagem: it recaptures the waste heat of its own machinery, everything from computers to coffeemakers, as well as of the 2,000 people who will eventually work inside...
...lightly fictionalized, heavily romanticized Al Capone. That Scarface ran 90 minutes; this one ambles along at nearly twice the length. The first film has a screwball-comedy briskness that made Tony an outsized monster, a festering lesion on the body politic, without stopping more than once or twice to spell out social message. The new Scarface is at bottom a bitter comedy about the perils of drug abuse, and De Palma directs his actors to play at the pitch of gross grandiosity but at the pace of a chamber drama...