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Dates: during 1990-1999
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Viewers' familiarity with the gore genre has never bothered Brian De Palma. He has been considered a Hitchcock groupie for so long that, by now, the slur seems like a badge. The plot of Raising Cain -- about a child psychologist (John Lithgow) still under the spell of his mad-scientist father and an evil twin named Cain -- swipes from Psycho and Michael Powell's sicko classic Peeping Tom. What's fun here is that De Palma has rung cunning changes on Hitchcockian twists. What if the car that Norman Bates watched sink into the swamp had a woman inside, clawing...
...MARION BARRY will turn his back on them, especially when one will feature his life story. Barry has visited Tinseltown for a meeting with producer Ron Samuels, who wants to make a film that will highlight events in Barry's life such as the civil rights movement and his spell in jail. "He has had a fascinating life," says Samuels. It all is on hold until after D.C.'s Sept. 15 election, when Barry could return to public office by winning a city council seat. If he does, Samuels says, it would make the movie "even more of a Rocky...
...phony...l was bona fide. I sucked off Jerry Gracia."). But despite her commitment to hippiedom, Bubbles still has a lot of internalized racism knocking around in her drug-addled brain. So her Black maid, who is a sort of cross between Aunt Jemima and Medusa, puts a voodoo spell on Bubbies, giving her a mysterious case of 'negrophobia...
...Israelis are expected to concentrate on the big picture instead of trying to settle one issue at a time before moving to the next. They could draft an agreement in principle on the transfer of power to an interim government in the territories, then let working groups spell out the specifics. Palestinian negotiators would like this approach, and anticipate that Rabin's basic proposal for autonomy will be, in spokeswoman Hanan Mikhail-Ashrawi's words, "much more comprehensive and serious" than Shamir's. But they are looking first for some tangible gestures to set the right tone: a complete brake...
...essence Tommy is a fairy tale, its outer narrative based on spells and enchantments, ordeals and rescues, its inner narrative an evocation of growing up and facing down the everyday demons of adult life. Unlike the bizarre Ken Russell film, the narrative reshaped for La Jolla by McAnuff and composer- lyricist Pete Townshend has an essential innocence, maybe even an excess of optimism. The title character, apparently deaf and blind from boyhood, is in fact rendered autistic by seeing his father shoot his mother's lover -- an infidelity made less sordid by the fact that the father, a World...