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Word: spellings (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...walls, and panels slid off the facade. Workmen hastily shored up the damaged section. Then, last month the right wing of the institute collapsed. Investigators belatedly discovered that the builders had forgotten to install drainpipes. Rain seeped into the walls and pillars, froze solid in a cold spell and turned to water again in a thaw, thus bringing down the wing in a cascade of bricks, concrete and glass...

Author: /time Magazine | Title: Russia: New Monsters | 1/6/1961 | See Source »

...Paris, but few of them have attracted as much attention as 35-year-old Joe Downing, who comes from Horse Cave, Ky. (pop. 1,545). With scraps of specially treated paper and a stapler to fasten them together, Downing produces "paintings" that have brought French critics under his spell...

Author: /time Magazine | Title: Art: Horse Cave Boy in Paris | 1/6/1961 | See Source »

Charles Stark Draper, 59, head of M.I.T.'s Department of Aeronautics and Astronautics and of its Instrumentation Lab, was once trying to spell out the meaning of dyne centimeter, a tiny unit of torque (twisting force). "A dyne centimeter," said Draper, a sociable chap, "is just about the amount of torque that would have to be applied to my arm to get me to take a drink." Draper's contributions to aeronautic and missile technology include the A-4 gunsight that gave U.S. Sabre jets clear superiority over Russian MIGs in Korea and the inertial guidance systems that control...

Author: /time Magazine | Title: Man Of The Year: THE MEN ON THE COVER: U.S. Scientists | 1/2/1961 | See Source »

During an hour-and-a-half talk that held his audience spell-bound, William A. Rusher, Publisher of the National Review, concentrated on two main topics: the "psychic difficulties of the West," and the mistakes that cost Nixon the Presidency...

Author: By Frederic L. Ballard jr., | Title: Rusher Gives Views On Country's Future In Speech to HYRC | 12/16/1960 | See Source »

...opening of the final slow movement lacked the needed singing quality. The final minutes of the work more than made up for this lack, though, and Mr. Fischer's playing of the final variation, with its incredibly long (and beautiful) trills and arpeggio passages, was nothing less than spell-binding. With the final return to the simple theme, the audience breathed again...

Author: By Arthur D. Hellman, | Title: Egbert Fischer, Pianist | 12/7/1960 | See Source »

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