Word: spencer
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Dates: during 1960-1969
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...wanted to be a drama critic for as long as he can remember: "I was aisle-struck, not stagestruck.'' Born in Malden, Mass., of Greek parents of Anatolian origin, Kalem spoke Greek before English. At Harvard, he remembers being thrilled by the late Ted Spencer reading Shakespeare aloud, and Hamlet remains his favorite play. One month after emerging from Harvard (A.B. '42, cum laude), Kalem was in the Army. With the 24th Division in the Philippines, he won the Bronze Star under gunfire "for staying on the telephone for 17 hours when the Japs seemed...
...moved into the office left vacant last month by the death of J. Spencer Love, Burlington Industries' candid new President Charles F. Myers, 50, made it plain that the era of one-man rule had ended for the world's largest textile empire (1961 sales: $866 million). Says Myers in a rich Charleston accent: "No one will take the load that Mr. Love took. Management from now on will be a team operation." Lured away from a banking career during a series of tennis games with Love 15 years ago. Myers started off at Burlington as a financial...
...WILLIAM GLENESK Spencer Memorial Presbyterian Church Brooklyn...
Light in the Piazza (M-G-M), developed from a popular novella by Elizabeth Spencer, is an intelligent and charming "woman's picture" that tells the story of a rich American couple (Olivia de Havilland and Barry Sullivan) with an emotionally harrowing problem: they have a mentally defective daughter (Yvette Mimieux). Kicked by a pony in childhood, the girl has the mind of a ten-year-old girl in the body of a startlingly beautiful young woman. In fact, the girl's sensuous attractions are so spectacular that most young men thoughtlessly fail to notice her mental limitations...
...accomplish this, he turns the presiding Judge Haywood (Spencer Tracy) into an active figure, avoiding the conventional image of justice in a trial-drama: aloof if not passive. Haywood, whom Tracy plays with proper naivete and the suspicious honesty of a Maine Yankee, is trying the case of Ernst Janning, a once-eminent judge who bowed to the Nazi definition of justice, and three other members of the Hitler judiciary. As the film unfolds these four figures in the dock represent varying levels of recalcitrance. Janning ultimately acknowledges his guilt; but at the other extreme, Emil Hahn continues to belch...