Word: spenglers
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...Oswald Spengler. that grand and gloomy chronicler of The Decline of the West, once remarked that Edouard Manet (1832-83) was the last gasp of great Western painting. What Spengler failed to see was that Manet was not an end but a beginning. With a single picture, displayed at the Paris Salon of 1865, Manet fueled an artistic revolution that has shaped the course of modern art, for better or for worse, for nearly a century. At the core of the whole hurly-burly that rages through the art world today is the artistic proposition raised by Manet...
...Indian Fighter (Bryna; United Artists). "Decline in creative power," said Historian Oswald (The Decline of the West) Spengler, is "most obvious [in] the taste for the gigantic." If this dictum is true, the moviegoer of recent years has been seeing the sharp decline of the western. Gone is love's old sweet story of strong, silent him and dimity her. In its place the studios are offering enormous spectacles on the wide screen-galumphing travesties of the traditional horse opera-in which the lusty heroes now wrestle biddies as well as baddies, and the heroines are as likely...
...three more times by the Communists. Exiled in 1922, he soon came to the U.S., and with the publication of his monumental Social and Cultural Dynamics, a study of the fluctuations of "sensate" and "ideational" cultures, he set the academic world to wondering whether it had found a new Spengler. Today, a mysterious mixture of crackpot and genius, Pitirim Sorokin has his colleagues wondering still...
...real stature, Manet was not a bit afraid of the past. He drew from an extreme variety of sources, thereby established a broad and solid base for his own experiments.* Manet's reworkings of Hals, Goya and Giorgione, among others, led Oswald (The Decline of the West) Spengler to regard his work as the last gasp of great Western painting, yet his experiments caused Andre (The Voices of Silence) Malraux to call him the first modern artist. Perhaps he was both; certainly his Lunch on the Grass (opposite) stands as a kind of pylon in painting history...
Last spring, after getting a $15,000 grant from Chicago's Center for the Study of Liberal Education for Adults, Director Spengler and Associate Professor (of English) Stern asked the faculty to recommend adults for the experiment. Of the 130 applicants, Spengler and Stern chose 32. Each student was supposed to cover the regular undergraduate work (128 credits), but before he started he was allowed to take examinations on any subject he thought he could pass without taking the regular course. The adults could go to class or not as they chose; they got extra reading assignments, had special...