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Word: spewack (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Ford Startime (NBC, 9-10:30 p.m.). My Three Angels: Sam and Bella Spewack's TV adaptation of their own Broadway adaptation of Albert Husson's La Cuisine des Anges, a bizarre comedy about convicts in French Guiana...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: Time Listings, Dec. 7, 1959 | 12/7/1959 | See Source »

Later the same week, Oscar Wilde's The Importance of Being Earnest will open, and both will be presented during the first month. In the fifth week, the group will add George Bernard Shaw's Heartbreak House, followed by Othello and Sam and Bella Spewack's Boy Meets Girl...

Author: By Walter L. Goldfrank, | Title: Repertory Group Plans To Open First Season | 1/6/1959 | See Source »

Cohan's own words and music and a show-wise script by Sam and Bella (Kiss Me, Kate) Spewack pleasantly evoked the furbelows and gimcracks of a theatrical era in which Cohan wrote shows called Little Johnny Jones and Little Nelly Kelly, and singers stretched "baby" to "ba-ay-ay-ay-bee." Rooney evoked Rooney. But if the tumultuous Rooney was not the debonair Cohan, he was still a sliver off the same shank, and great fun to watch as an outrageously brash song-and-dance man taking a reluctant theater by storm. At 36, Rooney is thin...

Author: /time Magazine | Title: Television: Review | 5/20/1957 | See Source »

Orpheus & Romanoff. Patrick Dennis's bestselling novel Auntie Mame will star Rosalind Russell. Samuel (Boy Meets Girl) Spewack will try to reconquer Broadway with Once There Was a Russian. Britain's Peter (The Love of Four Colonels) Ustinov will make his bid with Romanoff and Juliet. Terence Rattigan will offer two comedies that amused London for a couple of seasons, Separate Tables and The Sleeping Prince. Tennessee Williams' newest, Orpheus Descending, will descend on Broadway with Italy's Oscar-winning Anna Magnani...

Author: /time Magazine | Title: The Theater: The New Season | 9/10/1956 | See Source »

Brass Bite. Prawy began by putting Sam and Bella Spewack's slangy, sprightly spoof of Shakespeare and show business into sprightly, slangy German. Then, to give the Cole Porter score bite, he put an edge on the staid Volksoper orchestra in the form of a dozen Viennese axmen, most of whom cut up in brass. To keep the musicians jumping, he imported Conductor Julius Rudel of Manhattan's City Opera Co. He also imported his key principals from the U.S.: handsome Brenda Lewis of the Metropolitan Opera (Kate), and two relative unknowns, both Negroes, Olive Moorefield (Bianca...

Author: /time Magazine | Title: The Theater: Do Kiss Me, Kate | 3/5/1956 | See Source »

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