Word: spielberger
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Dates: during 1980-1989
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...fears and wonders of childhood. But Disney's success turned the innovator into a caretaker at the mausoleum of his own style. After his death, the studio limped along on audio-animatronic pilot, while the true heirs of the true Walt--canny kids like George Lucas, Steven Spielberg and Jim Henson --updated the old master's tricks and made pots of dough. Now a new generation of Disney artists, some young enough to have made Star Wars, Close Encounters and the Muppets their boyhood models, has produced a cartoon feature in the old Disney tradition. And Henson and Lucas have...
...father, a toymaker abducted by the evil rodent genius Professor Ratigan. The movie's scene-stealer is a peg-legged bat named Fidget, who gets laughs when someone stomps on his foot ("My only foot!"). Later Basil and Dawson are trussed up on Ratigan's killer mousetrap, a Rube Spielberg device that jump-starts the filmmakers' ingenuity and accelerates the plot toward its nifty climax. Nothing as weighty as the art of animation is at stake here--just some clever cartoonists having a holiday on mice...
...unknown." After the astounding success of Star Wars, his special-effects group, dubbed Industrial Light & Magic, relocated in San Rafael, Calif., just north of San Francisco, and became a permanent operation. ILM devised the special effects not just for Lucas' three Star Wars epics, but for such Steven Spielberg hits as E.T., Poltergeist and Raiders of the Lost Ark. Now ILM's handiwork seems to be everywhere. The company created the effects for six of last year's releases, among them Cocoon (for which ILM technicians won their seventh visual-effects Oscar), Back to the Future, Young Sherlock Holmes...
...manages in a nearby office building. Molly's brother Kelly, 19, has cleared space on the kitchen table to do homework for his computer studies at the local community college. Beth, 21, is in the back of the house washing her blond hair. The whole place scans like Steven Spielberg's idea of suburban paradise...
...Tanen, president of the motionpicture group at Paramount, calls John Hughes "the Steven Spielberg of youth comedy." Fair enough: Hollywood has always been a town that rewards arrested adolescence and those who can profitably memorialize it. If E.T. and Raiders of the Lost Ark seem made for children of all ages, from four to 14, then Sixteen Candles provides their older brothers and sisters with answers to the question: Is there life after junior high? Hughes' first film as writer-director is, sure, a sentimental fantasy with just enough wild-party footage to keep the Porky's crowd from nodding...