Word: spielberger
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Dates: during 1980-1989
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...problem of being last--you don't get to bat against your own pitching. There was one thing we could offer good producers, though: that they could make the show they wanted to make." That promise applied to Steven Bochco in 1981 even as it does today to Steven Spielberg. "I started my career directing TV," Spielberg says, "and my shows were often changed by the networks in ways I didn't like. When I returned to TV, I wanted the same freedom I have in feature films. NBC gave me those assurances, and they've been true to their...
...across the land, the whole face of Sunday night will change, because maybe they won't come back to CBS." NBC is spending about $800,000 per half hour--twice the budget of an ordinary show--and has committed to 44 episodes, or two years on the schedule. As Spielberg notes wryly, "Amazing Stories means a lot of money to NBC--a lot of money going out, so far." Says Tartikoff: "If it fails, it will be an expensive failure. But if we capture viewers at 8 o'clock, it will be a major and very profitable victory...
Amazing Stories takes prime-time TV not so much back to the future as forward to the '50s, when series like Alfred Hitchcock Presents and The Twilight Zone invited viewers on a different adventure of the imagination each week. Because Spielberg has enlisted such directors as Martin Scorsese, Brian De Palma, Clint Eastwood, Paul Bartel and Peter Hyams (Mr. E.T. will direct two of his own the first season), each of the Stories promises a distinctive style. Hyams' episode boasts sepulchral lighting and tension as taut as piano * wire; Bartel's is a slapstick black comedy; Spielberg's two shows...
...should have seen." Amazing Stories has no continuing characters, tone or stars--not even a regular host, like Hitchcock or Rod Serling. Viewers may prefer to settle in with Angela Lansbury's rumpled caginess in Murder, She Wrote instead of taking a chance with the faceless brilliance of the Spielberg series...
Harvey Shephard, the CBS programming chief who preferred to retool The Twilight Zone rather than take a chance on Spielberg's anthology of original stories, is convinced that Amazing Stories is actually his network's secret weapon. Shephard predicts "a high initial tune-in sample" of the NBC show, followed by a return to tele firma. And if that does not happen, all CBS has to do is contrive to let a Sunday-afternoon N.F.L. broadcast run overtime, thus pushing 60 Minutes back by ten or 15 minutes, and 60 Minutes loyalists will miss the first half of an Amazing...