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Word: spielberger (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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INDIANA JONES AND THE LAST CRUSADE. The adventure genre may be nearly exhausted, but producer George Lucas and director Steven Spielberg know how to make the thrills crack like Indy's bull whip. Sean Connery and Harrison Ford find special star resonance in the bond between an aloof father and his heroic, hero-worshiping...

Author: /time Magazine | Title: Critics' Choice: May 29, 1989 | 5/29/1989 | See Source »

Moviegoers have two surrogate storytelling dads: George Lucas and Steven Spielberg. Lucas, who dreamed up Star Wars for a generation of space cadets, is the mastermind of the Indiana Jones series. Spielberg directed the trilogy, which reaches its thrilling climax this week when Indiana Jones and the Last Crusade opens on 2,327 movie screens in the U.S. and Canada. The star is Harrison Ford -- three times Indy Jones, three times Star Wars' Han Solo and the unchallenged hero of a derring-do, me-too movie decade...

Author: /time Magazine | Title: Show Business: What's Old Is Gold: A Triumph for Indy | 5/29/1989 | See Source »

...their newest, most invigorating collaboration, these three godfathers of the '80s action epic have adopted a father of their own. Sean Connery, who as James Bond helped sire the thrill-machine genre, brings his masterly charm to the role of Indiana's estranged dad Henry Jones. Lucas and Spielberg, Ford and Connery prove that a sequel can be as fresh as the face of a teenage Indy confronting his first hairbreadth challenge. Indy 3 is the same, different and better. It infuses vitality into the action-adventure, a movie staple whose ravenous popularity and endless, predictable permutations have nearly exhausted...

Author: /time Magazine | Title: Show Business: What's Old Is Gold: A Triumph for Indy | 5/29/1989 | See Source »

Tale spinners Spielberg and Lucas (who devised the story with Menno Meyjes) and screenwriter Jeffrey Boam were obviously brimming to work variations on the nearly $700 million-grossing theme. For openers, they toss teenage Indy (River Phoenix) into a nest of cave robbers, a lion's den and a snake pit, thereby explaining, with an economy that Feuillade and Freud might admire, the origins of their hero's hat, his favorite weapon and his fear of serpents. The movie's creators have not grown tired. They keep the action cracking as smartly as Indy's bullwhip...

Author: /time Magazine | Title: Show Business: What's Old Is Gold: A Triumph for Indy | 5/29/1989 | See Source »

...learned more about movie craft from making the Indiana Jones films than I did from E.T. or Jaws," says Spielberg, who won't take on Indy a fourth time. "And now I feel as if I've graduated from the college of Cliff- Hanger U. I ought to have paid tuition." Spielberg's camera style neither misses a trick nor reveals how it's done. See how he cues the change of a Zeppelin's course by the shadow scampering across a cocktail glass; watch a motif of cigarette lighters carry complicity from one character to another. Like a fine...

Author: /time Magazine | Title: Show Business: What's Old Is Gold: A Triumph for Indy | 5/29/1989 | See Source »

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