Word: spielbergisms
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Dates: during 1980-1989
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Directed and Written by Steven Spielberg...
...dancer, as popular as the Model T Ford. In fact, film has become a most pliable plastic art. A wily producer, a finicky censor, even a TV executive can alter or destroy the film's shape, texture and meaning. Now the directors are playing at cinema surgery: Steven Spielberg has just issued a "special edition" of his 1977 hit, Close Encounters of the Third Kind. As one film critic observes: "People used to ask me if I'd seen a certain movie. Now they ask which version I've seen...
...Steven Spielberg, child and master of the movie machine, is another film maker who shows an itch to play Silly Putty with finished work. His first TV feature, Duel, was released in a longer version for theaters in Europe. Last year when ABC aired Jaws, Spielberg added a few scenes cut from the original print. Now he has reworked Close Encounters, deleting 25 minutes from the original print and incorporating 20 minutes of outtakes and new footage. The result: the "new" Close Encounters is different-and the same...
...their use of the song When You Wish Upon a Star (from Pinocchio) but also in their insistence on a childlike belief in the magic of movies. The actors here are the audience: they spend most of the film watching and listening to the lovely sights and sounds that Spielberg and his special-effects team have put together. Spielberg in effect is the alien who steps from the mother ship at the end of the film. He is shy and cute, smart and wise. He smiles and waves...
...mean that the man behind the camera tithes his salary for Cambodian refugees; it means he knows how to make movies: how to shoot and edit pieces of film so they cohere, blend to create laughter or suspense, speak eloquently in the special language of the cinema. Steven Spielberg, Alan J. Pakula, Martin Scorsese, John Carpenter know the language. So does Australian Director George Miller, whose first feature contains sequences of violent, pure cinema poetry...