Word: spielbergisms
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...Steven Spielberg did grow up. He became rich and famous as the director who enjoyed playing with sharks, spacemen and snakes-and turning these fearsome critters into the stuff of blockbusters. Jaws, which Spielberg and Producer Richard Zanuck had feared might prove to be "a shark with turkey feathers," terrified moviegoers to the tune of $410 million. Close Encounters of the Third Kind built a sense of biblical awe around man's first meeting with beings from outer space and put another $250 million into the till. Last year Raiders of the Lost Ark sent Saturday-matinee chills down...
...told: inside Spielberg, the machine that built the machines, was little Steven and his suburban child's pulsing heart. Look into the mouth of Jaws, and you will find the infant fear of things that go chomp in the night. Search the skies for a Close Encounter, and you can chart a child's hope that whoever is out there will be just like him: small and smooth and smart and cuddly. Track the Lost Ark's Raiders, and you will discover the thrill of escape that whets the imagination of every fifth-grade Indiana Jones...
...this was prelude. At 34, Spielberg has tapped directly into the power source of youthful fantasies and produced two remarkable works of popular art. Poltergeist, which he supervised from original story to final cut, is a horror movie about malevolent spirits that infiltrate the home of an ordinary California family. E.T. The Extra-Terrestrial, which he devised and directed, tells of a creature from outer space who is mistakenly abandoned on earth and befriended by three school-age children. "Poltergeist is a scream," Spielberg says. "E.T. is a whisper." The first film means to thrill, the second to enthrall. Both...
...Spielberg has formidable competition for the attention of moviegoers this summer. The producers of Annie have engineered a powerful media blitz to herald their lavish if lead-souled musical. Tron, a futuristic melodrama set inside a video game, hopes to lure the addicts of the arcades back to moviehouses. New versions of Rocky, Grease, Star Trek and The Thing will tempt old adherents. The Road Warrior and Blade Runner will offer up eye-catching punk-rock apocalypses. Robin Williams will attempt to enter The World According to Garp. Clint Eastwood and Woody Allen have new movies, and Burt Reynolds...
...professional cynic emerged from a Manhattan screening of the film last week and confidently announced, "$350 million." But the gleam of moisture in his eye said something else, something everyone else will soon be able to discover: that E. T. is a miracle movie, and one that confirms Spielberg as a master storyteller of his medium...