Word: spielbergisms
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...richness, luminosity and texture that wouldn't have been possible two years ago, when Disney and Pixar sounded a death knell for antiquated hand-drawn cartoons with Toy Story 2. Final Fantasy: The Spirits Within, opening in July, stars a cast of disconcertingly realistic CGI humans. In Steven Spielberg's A.I., opening this week, a teddy bear comes to life, and Haley Joel Osment communes with eerie, translucent aliens. As a robot, Osment never blinks because of his Stanislavskian discipline - and because the special-effects wizards at Industrial Light & Magic (ILM) removed more than a dozen blinks from his scenes...
...still catching our breath from Pearl Harbor and Tomb Raider, and Jurassic Park III is yet to come. But when TIME put Steven Spielberg's JAWS (just named No. 2 on the American Film Institute's list of the 100 best movie thrillers) on its cover in 1975, Hollywood was just discovering the summer action blockbuster...
...love story, a prophecy and a fairy tale (Pinocchio, to be exact) in the guise of a science-fiction film, A.I.: Artificial Intelligence represents the collaboration and collision of two master filmmakers: Stanley Kubrick, who spent parts of more than 15 years on the project; and Steven Spielberg, whom Kubrick finally asked to direct it, and who did, from his own screenplay, after Kubrick's death in 1999. The film, whose genesis and shooting have long been cocooned in secrecy, opens next week...
...first sci-fi project since 2001, Kubrick had planned, as Spielberg says, "to take a step beyond the sentient relationship that HAL 9000 has with Bowman and Poole, and tell a kind of future fairy tale about artificial intelligence." When he suggested that Spielberg direct it, "I thought he was out of his mind. He was giving up one of the best stories he had ever told. But he said, 'This story is closer to your sensibilities than my own.'" Once Spielberg began work on the film, at the behest of the director's widow Christiane and her brother, Kubrick...
Even when A.I. meanders or stumbles, it is fascinating as a wedding of two disparate auteurs. Kubrick took five, seven, a dozen years to make a movie; he optioned Brian Aldiss's short story "Supertoys Last All Summer Long," on which A.I. is based, in 1983. Spielberg has shot multiple films in one year, and in his spare time he helps run the DreamWorks film studio. Spielberg has the warmest of directorial styles; Kubrick's is among the coolest. One aims to seduce the audience; the other wanted to bend moviegoers to see it his way, or to hell with...