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Word: spielbergisms (lookup in dictionary) (lookup stats)
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...perhaps the only art form that celebrates capitalism openly. To be sure, filmmakers pore over weekend grosses, but it would be surprising for a character in a Spielberg film to suddenly turn toward the camera and shout, "This picture's grossed $100 million, y'all! Shout out to DreamWorks!" Rap's unabashed materialism distinguishes it sharply from some of the dominant musical genres of the past century. For example, nobody expects bluesmen to be moneymakers--that's why they're singing the blues. It's not called the greens, after all. As for alternative rockers, they have the same relationship...

Author: /time Magazine | Title: Music: Hip-Hop Nation | 2/8/1999 | See Source »

...zone. Rodeo Drive screams money, not mayhem. But sweetie, kiss-kiss, get out your designer flak jacket, because there's a war going on in Hollywood, and Wilshire Boulevard is ground zero. Taking up a position at one end is Michael Ovitz, the former uber-agent who repped Steven Spielberg and Tom Hanks before quitting for a short-lived tenure as president of Disney. Four miserable years later, he's back from exile, offering his services as a manager and raiding clients from Creative Artists Agency, the firm just a mile away that he co-founded 23 years ago. Last...

Author: /time Magazine | Title: Cinema: Clash Of The Titans | 2/8/1999 | See Source »

...Year" award was established in 1963, 12 years after the creation of its female counterpart. Past recipients of the awards include Katharine Hepburn, Meryl Streep, Jodie Foster, Paul Newman, Steven Spielberg and Harrison Ford...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: Hasty Pudding Names Hawn, Jackson Woman and Man of the Year | 2/3/1999 | See Source »

...STEVEN SPIELBERG His submarine-themed eatery, Dive, turned out to be one, and it had to be given Das Boot...

Author: /time Magazine | Title: Notebook: Feb. 1, 1999 | 2/1/1999 | See Source »

...that war again. At the end of a film year dominated by Steven Spielberg's Saving Private Ryan (Europe, 1944: D-day and after) comes Terrence Malick's The Thin Red Line (the Pacific, 1942: Guadalcanal). The two films, each with a rightful claim to magnificence, are as different as the terrain of their settings and the strengths of their makers. The New York Film Critics' Circle probably got it right last week by naming Private Ryan best film and Malick best director...

Author: /time Magazine | Title: Cinema: Ho, Ho (Well, No) | 12/28/1998 | See Source »

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