Word: spikeness
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...played Harry Potter in five (going on six) hugely popular movies, made his stage debut last year in a London revival of Equus - Peter Shaffer's acclaimed 1973 play about a stable boy who, in an inexplicable act of violence, has blinded six horses with a metal spike. The big news, however, was not the first glimpse of Radcliffe's acting chops but of his private parts. Now the London production has come to Broadway, accompanied by the same sort of vaguely leering anticipation...
...test, or trap, in a Lee film. He loves to twist a picture out of shape, daring the audience to keep up with the abrupt shift of moods, the wagging finger of the director. And if you start arguing with Miracle at St. Anna, that's O.K. with him. Spike Lee has always loved a good fight...
...Have It, plus music videos, excellent documentaries like 4 Little Girls and When the Levees Broke and, not least, his Nike commercials with Michael Jordan, Lee is more than just film history's leading black director. He has raised racial awareness, and hackles, while establishing a powerful brand name: Spike Lee. From the incendiary Do the Right Thing in 1989 to his box-office hit Inside Man two years ago, Lee has fashioned an ornery, instantly recognizable personality that stamps his films, his clothing line and his public statements. All seem like variations on the Mars Blackmon character he played...
...three New York directors - all diminutive, all accomplished - who are so well known, and whose movies constitute such a vivid collective biography of the city in the late 20th century, that strangers seeing them on the street are likely to hail them by their first names: "Woody!" "Marty!" "Spike...
Within each Spike Lee movie, a dozen different films are fighting to get out, and the best one doesn't always win. Miracle at St. Anna lugs its central narrative around much as Train does the statue head. And just as he rubs it for good luck, so Lee hopes the bonding of slow, sweet, huge Train and little Angelo - a kitschy mix of John Steinbeck's Of Mice and Men and Charlie Chaplin's The Kid - will propel audiences through the screeds on racism and the disasters...