Word: spills
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Dates: during 1990-1999
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There's only one rule when it comes to the media hype concerning Built to Spill: Don't believe a word of it. Built to Spill is something much larger than any rock critic or wannabe indie scenester can put into words. The only way truly to understand what has everyone grasping for words and gasping for breath is to fight the crowds at the Middle East on May 22 and 23 and see them in the flesh...
After more than half a decade of seemingly swimming upstream against the rest of the music world, Built to Spill have gained a reputation as the great underdog hope of American rock. They're literate without being pretentious, hard without being blunt, sensitive without being Hallmark and fiercely independent in spirit. They've finally graduated from "next big thing" purgatory and have firmly established themselves as one of the most important bands plugging their amps in today...
...Built to Spill legend starts back in the early '90s in beautiful and scenic Boise, Idaho. Somewhere between potato farms and militia members, Boise managed to churn out Doug Martsch, leader and resident guitar god of Built to Spill. First came Ultimate Alternative Wavers, a perplexing title for a perplexing album. A dense and jagged slice of paranoid pop, the album only hinted at the musical mazes that were yet to pour out of Martsch's head...
When Martsch announced he had finished Built to Spill's sophomore album, everyone expected the long, languished and sometime lost guitar heroics that had dominated the first release. Once again, more hype for the band to prove wrong. With There's Nothing Wrong with Love, Martsch set his sights at pure pop bliss captured in the moments of everyday life...
Fast forward to 1999: critics have finally learned their lesson and didn't even attempt to speculate at what Built to Spill's most recent release, Keep It Like a Secret would bring to the table. Keeping in character, this album turned out to be the one everyone should have been expecting. A combination of the pop of There's Nothing Wrong and the grandeur of Perfect, Martsch's latest manifesto of sound smoothes the edges but loses none of its weight...