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Word: spined (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...giddy Voices of Spring waltz. All this is enough to make even the mildest of men, Music Teacher Andy Norris (Perry King), reeeally mad, mad enough to set one of the gang members aflame, smash a second with a tire iron and drive a buzz saw through the spine of a third...

Author: /time Magazine | Title: Cinema: School Daze | 9/13/1982 | See Source »

...year-old narrator faces disease and ignorance in Elizabeth, NJ. Suffering from scoliosis, Deenie must wear an ugly, uncomfortable back brace. The experience helps her overcome the primitive adolescent fear of being different. But Deenie represents up-to-date psychology as well. Could her curvature of the spine have been caused by occasional masturbation? Set straight by a briskly efficient gym teacher named Mrs. Rappoport, Deenie muses: "I never knew there was a name for what I do. I just thought it was my own special good feeling. Now I wonder if all my friends...

Author: /time Magazine | Title: Books: Packaging the Facts of Life | 8/23/1982 | See Source »

...will attempt to enter The World According to Garp. Clint Eastwood and Woody Allen have new movies, and Burt Reynolds and Dolly Parton will sing and dance their way through The Best Little Whorehouse in Texas. Even so, Poltergeist's intelligence in confecting disaster, its honest laughs and spine-snapping chills-from upended kitchen chairs to ghostly vapors and a gaping, horrid hell mouth-should lead it to the head of the class...

Author: /time Magazine | Title: Cinema: Steve's Summer Magic | 5/31/1982 | See Source »

...outside my room. Also anything that might be under the bed or in the closet. Also Dragnet on TV. Also a crack in the bedroom wall-I thought ghosts might come from it." For Spielberg, film making has been a profitable form of psychotherapy: those boyhood fears form the spine of the Poltergeist plot...

Author: /time Magazine | Title: Cinema: Steve's Summer Magic | 5/31/1982 | See Source »

Taylor, 51, has taken the rich vocabulary of dance, from the spine-straight balletic pas de deux to the earthbound dynamics of Martha Graham, and shaped it into a shifting and special language. He is the J.R.R. Tolkien of his form, and like the fabulist creates works too elaborate to please the avant-garde and too impudent for purists. In short, Taylor remains one of the most accessible of choreographers...

Author: /time Magazine | Title: Dance: The Tolkien of Choreographers | 5/3/1982 | See Source »

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