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...Eero Saarinen's hockey stadium at Yale cost nearly twice the original budget of $750,000 and is worth every nickel. It stands like an inverted Viking ship with a concrete arch for its keel. The vast ceiling of weathered planks sags slightly, tent fashion, from the central spine. From outside, the stadium looks as strange as a beached sea tortoise. Inside, its wide-open spaciousness, wintry light, and effect of weightlessness are exhilarating. The nation's foremost young architect, who has created such modern wonders as the General Motors Technical Center (TIME, July 2, 1956), Saarinen...

Author: /time Magazine | Title: Art: Building for Learning | 11/17/1958 | See Source »

British Mystery Writer Agatha Christie, 66, chugged up the sheer Acropolis, posed-looking not unlike her own fictional Miss Marple with bumbershoot and catchall-beneath the world's most spine-tingling marble slab: the entablature of the Parthenon...

Author: /time Magazine | Title: People, Sep. 15, 1958 | 9/15/1958 | See Source »

...kind he calls "nymphets." As Humbert explains it in a passage that is typical of his style: "You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs-the slightly feline outline of a cheekbone, the slenderness of a downy limb, and other indices which despair and shame and tears of tenderness forbid me to tabulate-the deadly little demon among...

Author: /time Magazine | Title: Books: To the End of Night | 9/1/1958 | See Source »

Most important, she has the rare ability to play the kind of emotional brass that shivers the spine. Ernestine singing My Man somehow makes believable a woman's capacity to suffer a man who "isn't good, isn't true," but to whom nevertheless she will "come back on my knees some...

Author: /time Magazine | Title: Music: Emotional Brass | 8/4/1958 | See Source »

...creates] the sort of sensation that goes from the nape of your neck to the base of your spine when Yehudi Menuhin reaches the theme in the Bartok concerto. You know what I mean...

Author: /time Magazine | Title: Books: Mind the Music & the Step | 7/28/1958 | See Source »

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