Word: spinnings
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Brill has stocked the magazine with impressive talent, hiring writers and editors from such publications as the Wall Street Journal, Business Week and TIME (former chief political correspondent Michael Kramer is Brill's No. 2 editor). Washington Post media critic (and author of Spin Cycle) Howard Kurtz will be a contributor, as will former FCC chairman Reed Hundt and humorist Calvin Trillin. Brill has even hired an in-house ombudsman: former New York Times editor Bill Kovach, head of the Nieman journalism fellowships at Harvard, will critique Content's own articles...
...Those are the figures. Here?s the spin. The NRA says that any report looking at the effect of ?guns and guns only? is ?worthless as a study of violence.? The medical community calls it an epidemic. ?If the United States had eight times the rate of disease than other rich nations, the people would be up in arms,? said Dr. Rebecca Peters of Johns Hopkins University. ?This would be a public health emergency.? Whether the guns or the people pulling the trigger are responsible, one thing is clear: We?ve got a whole lot of killing going...
Starr for his part was quick to say his case never depended on Jones', and the collapse of the civil case would do nothing to his criminal case. The White House machinists, he said, were trying to use the Wright ruling to spin a false sense of vindication. He plans to press forward with his probe into whether Clinton lied under oath about his relationship with Monica Lewinsky and tried to cover it up. But it said much about his team's p.r. problems that even before the Wright decision came down, Starr had reached out to Stuart Taylor...
...economy, the President is a Wizard, a witch doctor, the guy with spooky, powerful voodoo; he can outlive, outlast, outmaneuver anything, even multiple, degrading, humiliating sex scandals. The G.O.P. members see the stories and then look at his numbers and look back at the stories and their heads just spin. What does this guy eat? they wonder...
...artist's part, but kept the viewer distant, with nothing sensuous to hook onto--unless you had a thing about freckles and wens. This idea of deadpan, photo-derived "objectivity" was much in the air at the time--a small movement, Photo-Realism, was one of the spin-offs from Pop Art--but nobody took it as far as Close, or with such riveting effects. These are lost in reproduction--the image shrinks back to being just another photo, and its command on your attention (huge, august, frontal, like the head of a Pantocrator from a Byzantine apse) vanishes. Only...