Word: spins
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Dates: during 1970-1979
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...roles like Rodolfo, and florid bel canto roles like Nemorino in L'Elisir d'Amore. With age, however, a tenor's voice takes on a heavier tone and darker coloration. By the time he is in his 40s, a tenore lirico is usually ready for roles in the intermediate spin to (pushed) range, like Cavaradossi in Tosca, and maybe even in the forceful, baritonal tenore drammatico category, like the title role of Otello. But he must use extreme care, lest he damage the muscles of ins vocal mechanism. Many a promising Rodolfo who was too eager to tackle roles beyond...
...Metropolitan's Gildo Di Nunzio is on hand to help Pavarotti learn his new role in La Gioconda. Beyond the big French doors the sea glistens invitingly, and the opera houses of the world seem far away. Yes, work must be done; but first, perhaps, a spin in the cabin cruiser? A workman arrives to fix the pool; he must be invited in for a glass of wine. The three Pavarotti daughters wander through, or his wife Adua settles in a corner; an interlude of familial chatting and joking is irresistible...
Trapper John, M.D. (Sept. 23, CBS, 10 p.m.). This M-A -S-#spin-off is the most misproduced show of the season: a seemingly foolproof idea completely spoiled by, well, fools. The series picks up its title character (originally played on television by Wayne Rogers) 28 years after Korea. Nowadays Trapper John is chief of surgery at a San Francisco hospital, and he is acted with consummate world-weariness by Pernell Roberts. A few grafted-on references to M*A*S*H notwithstanding, the show turns out to be nothing but an inept Marcus Welby retread. The plotting is vague...
...pitch to confound batters on the amateur baseball teams around the coal mines of Ohio and West Virginia where he worked. Later, he taught it to his elder son Phil, who by the age of eight could dig his fingertips into the ball and send it floating without spin toward the strike zone, dipping and zigzagging in the air currents. Younger Son Joe tried the pitch, but his hands were too small, so he concentrated on the conventional pitcher's repertory of fastball, curve and slider...
...Brothers Niekro throw the most difficult pitch to control. Once the ball leaves the hand, no one, not even the man on the mound, knows where it will end up. Gripped with the fingertips and, unlike every other pitch, thrown with a completely stiff wrist, the ball should not spin. A revolving ball slices through the air; a spinless knuckleball floats free in the breeze, its trajectory altered by every passing zephyr. A gale wind in Candlestick Park or, it would seem at times, a cough from a fan in the front row of the Astrodome can change its course...