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Wagnerian heldentenors have rarely stirred the hearts of more than a minority of opera buffs, though, which is where Jose Cura and Marcelo Alvarez come in. Alvarez, 36, is a light lyric tenor whose high notes are fresh sounding and secure; Cura, 36, is a weightier lirico-spinto with an impressive touch of baritonal muscle. Alvarez made his Met debut last month in Franco Zeffirelli's bloated new production of La Traviata, in which his engaging singing was overshadowed by the spectacularly vivid Violetta of Patricia Racette. Cura's turn comes with next season's opening night, when he will...

Author: /time Magazine | Title: Music: Tuning Up New Tenors | 12/28/1998 | See Source »

...leaves no doubt that she is worth listening to. Soaring from plummy contralto to luminous soprano, her range is flexible if not yet altogether secure. Her sound is heavy for the intimacy of lieder; yet underlying Jessye Norman's dark, lustrous voice, one detects a true lirica spinto that some day perhaps could rival Leontyne Price...

Author: /time Magazine | Title: Music: Classical Records | 4/30/1973 | See Source »

That early training, Tucker feels, helped him to catch on at the Met, mastering 25 major roles as he developed from a lyric tenor to a lirico spinto (midway between lyric and dramatic). He is not identified with any single role, but ranging between the romantic bel canto flights of Lucia di Lammermoor and the more declamatory style of Turandot or La Fanciulla del West, he has created some memorable characterizations: Don Jose in Carmen, Rodolfo in La Boheme, the Duke of Mantua in Rigoletto...

Author: /time Magazine | Title: Music: The Golden Tenors | 4/6/1962 | See Source »

With Power to Spare. "Leontyne leads with that voice," says her accompanist. David Garvey. "It is her Rock of Gibraltar." Leontyne's Gibraltar is known technically as a lyric spinto-a high soprano voice with dramatic feeling. No singer today is better capable of straddling both the lyric and the dramatic moods than she is, and none possesses a voice that is more secure throughout its considerable range-the G below middle C to the D above high C. Says she: "I never try an F in public. I sometimes do it in the shower, but there...

Author: /time Magazine | Title: Music: A Voice Like a Banner Flying: Leontyne Price | 3/10/1961 | See Source »

Another new artist of major importance is the young Swedish spinto soprano, Elisabeth Soederstroem who portrays Suzanna in the new Figaro. She acts charmingly and phrases with a sensitivity and delightful youthfulness that only a born Suzanna could achieve...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

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