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...silos. But as recent studies of the arms race's psychological impact suggest, the very existence of nuclear weapons and the prospects of their use inflicts damage--with untold implications for the future--on the minds and spirits of children. Moreover, the public's emotional respones to the incessant spiral or arms--denial and desensitization--greatly diminish a democratic society's ability to implement "rational alternatives." We are, says Dr. Chorover, "learning helplessness" in the face of a problem utterly beyond individual control. Moreover, he argues, to draw any shocked or outraged response from an increasingly desensitized public requires "more...

Author: By Chuck Lane, | Title: Arms and the Mind | 3/5/1982 | See Source »

...those mid-60s views, and the survey data produced by Huntington, tell only one part of the story. As the Movement aged, it grew fiercer, following an ever-increasing spiral of rhetoric and action, a spiral that, unquestionably, helped destroy the cause. By 1969, at least the leading activists on college campuses had moved from liberal, moralistic frustration to programmatic, very radical leftism. Students who had been happy to march with signs were throwing rocks. Asked in 1969 what he foresaw "as the future tactic of the movement," Abbie Hoffman--by no means on the most radical edge...

Author: By William E. Mckibben, | Title: The Uses of Passion | 2/24/1982 | See Source »

...Christiane and her boyfriend Detlev (Thomas Haustein) spiral into the lower depths, the movie becomes as exhausting and repetitive as a reprobate's confession. But this is Screenwriter Herman Weigel's point. There is no drama in this drama-no rush, no reason, no alternative, no future. The junkie's world is not a series of adrenaline highs and remorseful lows; it is one endless anguish. The victims are zombies, gray-faced, living dead. Director Ulrich Edel hews to a semidocumentary style, but his message is out of the classic German monster movies: There is a golem...

Author: /time Magazine | Title: Cinema: Bravado Is Their Passport | 2/22/1982 | See Source »

...material world, the vanishing of the "mere" delights of body and landscape. As this show repeatedly makes clear, the fantasy of evolution from matter into spirit was shared by other Munich artists before 1914, most strikingly by Hermann Obrist, whose unbuilt project for a monument -figures ascending a spiral, hauled up on top by a winged angel - predicted the great unbuilt monument of the 20th century, Tallin's iron tower for the Third International in Russia...

Author: /time Magazine | Title: Art: Preparing for Abstraction | 2/15/1982 | See Source »

...that the technological increases in productivity throughout the 1920s (up 43% per factory man-hour) were not matched by increases in wages and thus in the public's capacity to consume (factory pay rose less than 20%). The collapse of the overinflated stock market therefore started a downward spiral in both demand and the ability to pay. Conservative economists like Milton Friedman, on the other hand, blame the Federal Reserve System for failing to expand the money supply sufficiently in the wake of the stock market crash...

Author: /time Magazine | Title: F.D.R.'s Disputed Legacy | 2/1/1982 | See Source »

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