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...York City's most controversial building, the Solomon R. Guggenheim Museum, last week opened its spiral exhibition ramp to the public. A monument to the late philanthropist's vision, even more a temple to its architect, the late Frank Lloyd Wright, this "organic" concrete form looms--almost leers--over Fifth Avenue at 88th Street, provoking speculation that Wright was playing a private "cosmic joke...

Author: By Alice P. Albright, | Title: Guggenheim Museum | 10/24/1959 | See Source »

...dictatorial spiral into which the Cuban government has fallen reached a new, but no doubt temporary, low Wednesday when a major who had resigned in protest against the government was arrested for "conspiracy...

Author: NO WRITER ATTRIBUTED | Title: Cubra Libra? | 10/23/1959 | See Source »

Smithies approaches the issue of the settlement in terms of its effect on the inflationary wage-price spiral. The toughened industry stand this year, he suggests, is due to their fear that the "pattern of periodic wage increases" will price them out of both the domestic and foreign markets. It is "terribly important to stop the wage-price spiral at this juncture," he said, by settling without a price increase. Chamberlin agreed that "the real issue of inflation is the reaction on other wages. Whether the price of steel will have to go up is "only a small part...

Author: By Michael Churchill, | Title: Three Professors Review Steel Strike | 10/8/1959 | See Source »

...Realities. The new line in steel is based on what Blough deeply believes are the changing realities in the U.S. steel industry and the whole U.S. economy. One of these is the great danger of a never ending inflationary spiral from continuous boosts in wages and steel prices. But more important to the steel industry itself is the threat, for the first time in this century, of serious competition from abroad...

Author: /time Magazine | Title: STATE OF BUSINESS: Man of Steel | 7/20/1959 | See Source »

...Scrolls, a Fountain. Coming to the U.S. from his native Vienna in 1926, Kiesler took up teaching at Columbia in the 1930s, amazed his students with suggestions that they develop spiral buildings, semicircular projection screens, "floating cities" wrapped in cocoonlike weather protectors, and "horizontal skyscrapers" suspended like bridges. In the 1940s he built great open sculptures and clusters of pictures "to relax inside" and designed striking stage sets for No exit and The Magic Flute...

Author: /time Magazine | Title: Art: Tough Prophet | 5/25/1959 | See Source »

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