Search Details

Word: spirit (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...wanted to speed or crawl as the spirit moved him; to read new Burma-Shave signs, flip cigarettes at rural mail boxes, or park and fall into a stupor with the sun on his neck." . . . Even before Maine's catastrophic forest fires of 1947, Maine, with most other states, was trying to educate people and discourage them from throwing live ashes from automobiles or other moving vehicles. TIME, instead of condoning this criminal practice of flipping cigarette butts as an amusing sport, should . . . point out the dangers of such carelessness...

Author: /time Magazine | Title: Letters, May 23, 1949 | 5/23/1949 | See Source »

...like David trying to beat Goliath without a sling and stone. The varsity lacrosse team had plenty of spirit in its game with Williams yesterday; it played hard enough to make the final score close, but something was missing. Williams...

Author: NO WRITER ATTRIBUTED | Title: Williams Beats Lacrosse Team, 8-6 | 5/19/1949 | See Source »

...matador, gradually becomes aware of the power of the bulls and afraid of their horns. His wariness makes him a poor fighter. A fine contrast is created between Luis and his younger brother, Pepe, a new matador who is eager to fight and does not know of fear. The spirit of the fight eventually returns to Luis and drives out the fear, but the reader is left with a vivid impression of the power of sharp horns...

Author: By Edward J. Sack, | Title: The Crimson Bookshelf | 5/17/1949 | See Source »

...climax of the story, when Luis regains his fighting spirit on the sands of Cuenca arena, on the surface resembles the ending of a high school sports story, but it is essential to Tom Lea's study of the bull fighter. As his fear vanishes. Luis regains the spirit of the bull fight, and the painting of the sport is completed...

Author: By Edward J. Sack, | Title: The Crimson Bookshelf | 5/17/1949 | See Source »

Finally, the author succeeds in his major purpose of making his audience understand the bull fight, its violence, bloodshed, and death. The bull is not the hopeless underdog most American think it is. In Lea's books, the bull becomes the brave animal whose fighting spirit is the prime example of valor. Man must muster all his skill, artistry, bravery, and strength to conquer the animal, and he does not always win. In painting the skillful technique which brings the bull to his death, Lea creates a picture of violence and beauty--a rare combination that makes bull fighting...

Author: By Edward J. Sack, | Title: The Crimson Bookshelf | 5/17/1949 | See Source »

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