Search Details

Word: spirit (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...demonstrators march, and work for a peace in the spirit of Chamberlain, while many of my friends fight and die in the only spirit America has really ever known-that of self-sacrifice, courage and determination-for a hard and bitter peace, dare I say, a peace with honor. It will be a sad day when, as a nation, we can be satisfied with less...

Author: /time Magazine | Title: Letters: Oct. 24, 1969 | 10/24/1969 | See Source »

...saying "Beatles," beneath which are flowers arranged in a pattern resembling the letter "P" and also resembling a bass guitar. The flowers can be divided into five characters which conceivably read, "PAUL?" Three sticks are laid across these flowers- one, it is obvious (once you get in the right spirit for this sort of thing), for each non-Paul Beatle...

Author: By Jeff Magalif, | Title: Clues Do Not a Dead Man Make | 10/23/1969 | See Source »

...seems that these days, after the myth of the possibility of a congenial and happy world has been ripped from our grasp by the mandolin and ranting politicos, that maybe the spirit of the Beats is the only viable one for those of us who are tired of waiting around for a fight we don't want, who agree with Kerouac that stupidity is prolific, who are just not naive enough any longer to be hip, who just want to live. and stop playing magician with the realities of our lives, pulling revolutions out of thin air, pulling our personalities...

Author: NO WRITER ATTRIBUTED | Title: Kerouac 1922-1969 | 10/23/1969 | See Source »

ROBIN WOOD'S book, the best in English on Hitchcock, analyzes seven of his later films in terms of guilt and cleansing. For Wood Hitchcock's plots implicate his characters in some immoral action, often a murder, and then let them make restitution. Overcoming a psychological paralysis of spirit and action that characterizes guilty men. Hitchcock's characters increase their moral breadth through their confrontation with their capacity for evil. At the same time Hitchcock involves his audiences in the guilty action or in condemnation of the guilty man, then makes them reconsider this endorsement. Wood's structural analysis explains...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...supported are even more 50. One can try to draw some conclusions about the Center from Strike a Blow and Die: A Narrative of Race Relations in Colonial Africa, but they would be different occlusions than one would draw from Counter-Insurgency Warfare. Neither of them reflects the spirit of the Center, of course, because the Center has no common spirit. Or if the Center does have one, it comes closer to being captured in Sam Bowles' "The Aggregation of Labor Inputs in the Study of Growth and Planning: Experiments with a Two-Level CES Function," which...

Author: By Center FOR International affairs, | Title: Vernon Defines the Role of the CFIA | 10/22/1969 | See Source »

Previous | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | Next