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Word: spiritism (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...form" in any party title). As to the direction of the future, Pompidou and the other speakers left that vague, no doubt for fear of infringing on the prerogatives of the absent master of the Elysees. De Gaulle was, intoned Pompidou, much as if he were invoking the Holy Spirit, "here directing our policy with firmness and clairvoyance...

Author: /time Magazine | Title: World: Pompon & Les Godillots | 12/8/1967 | See Source »

...Katayama's white panel boxes have no curves, only planes and right angles that are contraforms to set off the flows in Thonet's wood. One wonders if Katayama had in mind Le Corbusier's statement that "the right angle is the primordial sign of the ordering and organizing spirit." And just as Carpenter Center has no real front or back--its axis diagonal to Quincy Street and entrance buried in the middle--so too Katayama's exhibition design has no necessary beginning or end but is approachable from all angles...

Author: By Barth Schwartz, | Title: Form from Process | 12/7/1967 | See Source »

...found political independence and solidarity of these countries. Highly placed American policy makers see this kind of political cooperation as a basically healthy development. They hope that the formation of a continental common market for all of Latin America will foster the same sort of cooperative spirit. Or that is what they say they hope...

Author: By Thomas B. Reston, | Title: OAS Power Struggle | 12/7/1967 | See Source »

...school, attempting a radical departure from current educational practices, can benefit from comment and discussion. Your article about Palfrey Street School (a name mispelled by the Crimson eleven times and spelled correctly three times) showed sensitivity to the spirit of the school, some errors of fact, and some errors, I think, of emphasis...

Author: NO WRITER ATTRIBUTED | Title: Palfrey School | 12/4/1967 | See Source »

...Haydn was more than a musical wag. Sharing the spirit of the Sturm und Drang poets of the time (among them Schiller and Lessing), he made his instruments weep and rant as well. The supple, rhapsodic lyricism of the slow movement of Symphony No. 44 is far removed from the aloof, balanced expressiveness sought by most composers of his time; the demonic orchestral outbursts and sudden silences in the first movement of No. 80 point ahead to the struggle-locked manner of the later Beethoven. To initiate the finale of the Sinfonia Concertante, four solo instruments conduct a nonverbal argument...

Author: /time Magazine | Title: Music: COMPOSERS: Rebel in Uniform | 12/1/1967 | See Source »

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