Word: spirits
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Dates: during 1900-1909
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...lecture will discuss in particular the Catholic reaction of the nineteenth century with its culmination in the dogma of papal infallibility, the existing antagonism between the church and the various European governments, the tendency of the church to perpetuate in the modern world the spirit of the Roman Empire and its opposition to nationality, and the decline of the reaction under the influence of the modern motives of nationality and personality. It will also touch upon the significance of the career of Leo XIII, the place of the Bible in modern life, and the significance of Protestantism as a political...
...young actor made a pronounced success in his love scenes with Miss Marion Terry. He showed an easy grip of character in "Duty," and in 1879 he played Sir Horace Welby in "Forget-Me-Not," with Miss Genevieve Ward, in a trying part acted with great finesse and spirit...
...clever and finished bit of acting; and as Face, P. E. Osgood '04 acted creditably a part requiring great swiftness of action and much ingenuity. K. K. Smith '04, as Dol, the accomplice of Face and Subtle, was convincingly feminine, and without overdrawing, infused, a great deal of spirit and dash into the role...
...Pandora" singing the resistlessness of non-resistance (or something like that) to the editors lashing the lax yet elastic conscience of collegiate youth. The conscience of the Monthly is not lax, nor means it "to while away idleness in pursuit of those things which are not of the spirit...
...Sachs '04 as Phillip Klapproth made the most of a funny part, entering into the spirit of every situation. G. W. D. H. Gribble '05 played the ranting actor well. The love scene in which C. Ehlermann, Jr., '05, as Alfred Klapproth, reads his proposal to Friederika, was one of the best situations in the play. W. H. Chase '04 as Josephine Kruger, H. Henneberger '05, as Amelie Pfeiffer, and P. G. Henderson '05, as Ulrike Sposser, were distinctly feminine...