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...just that I'm human. And I hold on, and often only by the skin of my teeth, to believe that God is in charge of his world, in spite of all appearances to the contrary, and there are often too many appearances to the contrary. Like any ordinary human being, I also reach the end of my tether. I can only be rescued from that by the fact that so many care around the world and pray for us. But the level of repression and evil in this country is incredible, and the suffering that our people are exposed...

Author: /time Magazine | Title: Bishop Tutu's Hopes and Fears | 4/18/2005 | See Source »

...that we must preserve a sense of proportion and not panic over the spread of AIDS [WORLD, Oct. 28]. After all, American aid has caused far more deaths in Viet Nam, Cambodia, Guatemala, Chile, El Salvador and Nicaragua, and no remedy has yet been found for this disease, in spite of efforts in Congress. Graham Greene Antibes, France Middle-Aged...

Author: /time Magazine | Title: Letters: Nov. 25, 1985 | 4/18/2005 | See Source »

...Broadway hit that has just moved to Broadway (nabbing a Pulitzer Prize along the way) never lets us rest comfortably with our preconceptions. An imperious nun (Cherry Jones) hears suspicions that a popular priest (Brían F. O'Byrne) at her school has been abusing a young boy; in spite of his fierce denials, she hounds him to step down. A triumph of moral doggedness or a shameful injustice? In a tight 90 mins., Shanley's work packs more complexity, humanity--doubt--than plays twice its length...

Author: /time Magazine | Title: Theater: 4 Must-See Shows On (and Off) Broadway | 4/17/2005 | See Source »

...Even in spite of Dillon’s decision to appear in the latest Lindsay Lohan debacle “Herbie,” he remains, for all intents and purposes, a good actor that can steal any scene he’s in. And Haggis, emerging from his wasteland past, garnered near-universal critical praise and an Oscar nomination for his screenplay for last year’s “Million Dollar Baby...

Author: By Amos Barshad, CONTRIBUTING WRITER | Title: Dillon, Haggis Collide in ‘Crash’ | 4/15/2005 | See Source »

...Everything Is Illuminated” succeeds in spite of this gimmick. But this success is not sustainable. Until Foer gets comfortable in his own shoes, he won’t be able to transcend mere impersonation, and his characters will forever feel slightly inhuman. Throwing his voice is not a solution, but a shortcut, and the more he allows himself to take it, the less likely it is that he’ll be able to communicate his feelings with the directness he strives...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: BOOKENDS: Will the Real Jonathan Safran Foer Please Stand Up? | 4/13/2005 | See Source »

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