Word: spitted
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Dates: during 2000-2009
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...Nobert lives with the consequences of such mutual intransigence. Mullaitivu, at the end of a spit off Sri Lanka's northeast coast, was once a village of red-tiled bungalows, purple bougainvillea and powdery white shores, where Tamil boatmen lived by shrimp-fishing and smuggling coconut whisky to India. But when civil war broke out in 1983 between the Sinhalese-dominated government to the south and the Liberation Tigers of Tamil Eelam (L.T.T.E.) based in the north and east, Mullaitivu wound up on the front line. The village fell first to the Sri Lankan army. Then in 1996 the Tigers...
...come to the rescue. An AIM user who claims to be a Leverett House computer science concentrator has created a program that places menu at the tips of hungry students’ fingers. The program, called “YummyFoodBot,” automatically responds to instant messages by spitting back information obtained from the HUDS website. It comes one month after the appearance of “Shuttleboybot,” which allows AIM users to instantly check Harvard University shuttle schedules. In addition to its functionality, YummyFoodBot is also painstakingly polite. When AIM users send it a message...
...really important to indie rap. El-P, I just happen to be friends with all the guys that I listen too. I think Atmosphere is really important to hip-hop right now…I wanted to get real musicians on my record, not just other dudes that just spit on my record because they are more famous than me. I don’t give a fuck about that...
Many of my non-Crimson friends think doing FM is tantamount to sadomasochism (with me on the abuse-receiving end, obviously). FM seems to chew the execs up every Sunday, Monday, and Tuesday night, and spit us back out Wednesday morning a little unshowered and a lot sleep-deprived. Even when we leave 14 Plympton, FM follows us home, making demands via e-mail and haunting our dreams...
...brilliance shines through. Talib is recuperating here, showing his audience that his career is not restricted to hip-hop-lite collaborations with Mary J. Blige (instead bringing in underground heavyweights MF Doom and Jean Grae for this album), and that he can still spit like no other.The album’s mixtape aesthetic and lack of a radio single means one of two things. Either Kweli is trying to return to his days of underground credibility, and doesn’t want to appeal to the masses (considering the double-pyrite sales of the album so far, he?...