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...later years Richardson always had a silver tankard of champagne waiting for those who visited him backstage. Once, when Guinness came by, he rose and made a military-style toast: "To Jesus Christ. What a splendid chap!" Another time, when they were both starring in Doctor Zhivago, Sir Alec walked into Richardson's hotel suite in Madrid. "Who can one hit," said Richardson, "if not one's friends?" -- and punched him in the jaw. By the time Guinness raised himself from the floor to ask what was going on, Richardson was sound asleep in an armchair...

Author: /time Magazine | Title: Alec Guinness Takes Off His Masks | 3/17/1986 | See Source »

...wore loose-fitting barong tagalogs; many of the women, designer dresses. The formality was appropriate for a presidential inauguration--even one called at short notice. But the dignitaries and affluent friends assembled at the Club Filipino in the Manila suburb of Greenhills merely formed a splendid backdrop for the more modestly attired guest of honor. Clad in a simple yellow dress, Corazon ("Cory") Aquino, 53, could hardly have imagined this moment three months ago, when her improbable quest for the Philippine presidency began. Her voice was calm and steady as she recited the presidential oath, her hand resting...

Author: /time Magazine | Title: The Philippines Now the Hard Part | 3/10/1986 | See Source »

Langsam does a splendid job as the blind man--particularly considering that the black sunglasses he wears deny him the full use of his eyes as a means of expression. Oleson portrays the cripple as an older man, with an old man's slightly confused temperament. These two work well together on stage, neither seems to want a piece of the other's limelight. The evolution of their relationship parallels that of many first meetings: they move through periods of curiosity, and then chumminess before realizing that they are fundamentally incompatible. As they move through these phases, Langsam and Oleson...

Author: By Michael R. Mcadoo, | Title: Short and Sweet | 3/7/1986 | See Source »

Every opera fan knows how high Tosca bounced, when the next swan left and what Maria Callas thought of Renata Tebaldi; disasters, bons mots and bitchy remarks seem integral to the art. Ethan Mordden, who knows his way around backstage (Demented: The World of the Opera Diva; The Splendid Art of Opera), has gleefully amassed hundreds of such anecdotes, exchanges and choice bits of opera lore, along with some less celebrated stories. "Yet there is history here," he says, "for if many of the tales are silly, many others are telling...

Author: /time Magazine | Title: Bookends: Feb. 24, 1986 | 2/24/1986 | See Source »

ORIGINALLY WRITTEN FOR television, The Trip to Bountiful survived three decades of artistic limbo before making it to the silver screen. Its troubled odyssey explains both why the film is so resolute, and why its scope is so limited. Visually splendid, The Trip to Bountiful is inspiring despite its stark, biting realism. But there is frustratingly little plot development: never is the movie threatening, and rarely is it even surprising. As an audience, we are awed, but not challenged...

Author: By Robert F. Cunha, | Title: Horn of Plenty | 2/7/1986 | See Source »

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