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...necessary just to tell one boat from the other. Back in town, a lot of broiling people in madras shorts and Top-Siders will drink large quantities of beer, and toast being at the scene of an international occasion. Nobody is quite sure what is going on-something splendid...

Author: /time Magazine | Title: Sport: Stand By to Repel Raiders | 6/27/1983 | See Source »

...your otherwise splendid story on the new economy [May 30], TIME should have pointed out that the number of sophisticated jobs likely to be created by high technology is going to be disappointingly modest. According to Labor Department projections for the '80s, the U.S. will need 1.3 million additional janitors, nurses' aides and orderlies, but only 150,000 new computer programmers. For the majority of American workers, the high-tech age will further reduce the level of skills required...

Author: /time Magazine | Title: Letters: Jun. 20, 1983 | 6/20/1983 | See Source »

...action switches to the Vergerus house, where the folks are really mean, does the film come to life. Not to worry: that leaves two hours of good movie from an old master. At film's end, one Ekdahl pays tribute to the power of the imagination: "a splendid force held in trust for us by all artists." Moviegoers can be grateful that the force is still with Ingmar Bergman...

Author: /time Magazine | Title: Cinema: House Guests | 6/20/1983 | See Source »

...drying its hair. Trivializing disturbs him: "The rational Jeffersonian pursuit of happiness embarked upon in the American Revolution translates into the flaky euphoria of the late 20th century"; Hugh Hefner is a Don Giovanni as written by Mantovani, not Mozart; popular Astronomer Carl Sagan's Cosmos is "a splendid picture book" but a work of "vulgar scientism" that ignores thousands of years of Western religious thought that laid the groundwork for modern science...

Author: /time Magazine | Title: Books: Aliens | 6/20/1983 | See Source »

...Coup de Foudre, French Film Maker Diane Kurys (Peppermint Soda) etched an acute, critical portrait of her own family in the early 1950s and drew splendid performances from Miou-Miou, Isabelle Huppert and Guy Marchand. Chantal Akerman, a Belgian director whose monumental minimalist soap opera, the 1975 Jeanne Dielman, has made her queen of the European film avantgarde, confounded all expectations with a sprightly, witty musical called The '80s. The Cannes audience came to snooze and stayed to cheer...

Author: /time Magazine | Title: Show Business: In a Bunker on the Cote d'Azur | 5/30/1983 | See Source »

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