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...enormous ego--in truth, a highly concentrated version of early Eddie Murphy himself. Klump/Love is literally a pivotal role for Murphy. At one moment, he is playing Sherman Klump as a full and sympathetic character, a performance where others might have relied on the novelty of girth. A splitsecond later he turns around and goes back to his old tricks until they self-destruct. The now-tired, brazen "Beverly Hills Cop"-type character of old--outrageous and obnoxious arrogance, hilarious, often vulgar one-liners--is exaggerated and mocked in the form of the unrepentant, vaguely evil Buddy Love...

Author: By Nicolas R. Rapold, | Title: Murphy as Jeckyll, Hyde, and Their Randy Grandma | 7/16/1996 | See Source »

...thing to atabula rasa any of us are likely ever to bea part of. History and memory don't have to matterif we don't want them to. Cast into this vortex,however, I flailed about. I was like an electronin the new physics. Here one second, there a splitsecond later, I was all over the place and nowhereat once. I left no traces. Late night bullsessions for me were usually about political--notpersonal--first principles as I resisted makingpersonal revelations or admitting to anyunhappiness or imperfection. The closestembodiment of ironic detachment this side of DavidLetterman, I was conscious...

Author: By Steven Lichtman, | Title: Looking Back at the Experiences of the Class of '88 | 6/8/1988 | See Source »

...reading rate was to change the eye patterns in some way. But it was not until World War II that a method was discovered for doing so. A device called a tachistoscope was used by the Air Force to train pilots to recognize the markings on airplanes in splitsecond time. The machine began flashing pictures of enemy fighter planes on a screen for one second and diminished the time until the planes were recognizable to the pilots at 1/100 seconds...

Author: By Jeffrey C. Alexander, | Title: Evelyn Wood: The Evolution of an Idea | 4/27/1967 | See Source »

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