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Word: splotches (lookup in dictionary) (lookup stats)
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...hung oils. With his color box beside him, he mixed pigments in whatever was handy, even stale beer, to touch up details that would provide some visual reference for his baffled viewers. Once, a colorful Constable outshone one of Turner's seascapes. Turner put onto his work a splotch of bright red the size of a shilling that drew eyes away from the Constable. The next day Turner shaped it into a channel buoy...

Author: /time Magazine | Title: Painting: Landscapist of Light | 4/1/1966 | See Source »

...miss a splotch of the local color: a massive bowl of sinister black spaghetti that turns out to be white spaghetti slathered with an old Sicilian specialty, squid-ink sauce; a battle-royal between two skinny, toothless, fierce old men who roll about the rocky landscape hissing and ripping and snapping at each other like a couple of scorpions; a statue of the Virgin held in particular veneration by the Mafia: she has big soft, sentimental eyes-and her hand supports a skull...

Author: /time Magazine | Title: Cinema: Sicily with Garlic | 7/3/1964 | See Source »

Since the fad images of today are the square, the splotch and the soup can, it may seem that the only painters working with landscape are those daubing billboards to hide it. One who does not think that landscapes are old-fashioned is Jane Wilson, 39, a slim, chic former fashion mannequin who is personally as modern and vivacious as a girl in a Pepsi-Cola ad. Her recent landscapes and even newer cityscapes, which went on display last week at Manhattan's Tibor de Nagy Gallery, are suffused with such sunny fragrance that the New York Times...

Author: /time Magazine | Title: Art: Sunny Fragrance | 5/24/1963 | See Source »

...Painter. A waggish, 15-minute tale about the wondrous 'work habits of a dribble-and-splotch painter...

Author: /time Magazine | Title: CINEMA: Time Listings, Sep. 26, 1960 | 9/26/1960 | See Source »

...Painter (Litfle Movies), an extremely funny 15-minute film, may be taken as a solemn leg-pull of the recent vogue for dribble-and-splotch painters, those athletic canvas-coverers whose style owes less to Van Gogh's brush technique than to Stan Laurel's custard pie stance. Or it may be taken as an explicit set of instructions for getting rich...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 12, 1960 | 9/12/1960 | See Source »

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